What does it mean to write well? Is this about the ability to add words to sentences? Or is this the ability to express your thoughts in such a way that it will be understood to any person? Or is it how the form and content correlated? To start writing professionally, you need to have a lot of experience in writing. In college, writing good paper is important because your grade depends on it. So, if you don’t have experience in writing, you can buy a paper for college online from professional writers who will do a great job and you will get a positive grade.
How to write well
If you don’t want to buy papers for college from professional writers, you can practice a lot to finally start creating nice texts. Here is some advice on how you can learn to write well.
Strive for visuality and engage in dialogue
More than 80% of information we perceive through sight. Therefore, the most correct thing is to help the reader see what you’re saying.
It is also important to talk with the reader. Too many try to impress others, to look smarter. And research shows that as a result, you, on the contrary, seem more stupid. What our brain can easily handle is more likely to be perceived as truth than the concepts on which we have to work.
Perceive yourself as an equal to the reader. If you are trying to be clever and write your text from the standpoint of the teacher who is giving the lecture, the reader, at best, will feel stupid. At worst, he will get mad at you and won’t understand why you’re trying to teach him/her something.
Classical texts, in which equality between the author and the reader is supposed, help the latter to feel like a genius.
Imagine that you are telling a friend as intelligent as you, something that he does not know. This is the symmetry between the reader and the writer. This intention is to make the text clear and concrete. It’s a joy that you can show the reader something in the world that he can see himself.
This simple approach can bring your texts to a new level.
Beware of the curse of knowledge
The main reason for incomprehensible texts is not your fault. Your brain is not programmed to write good texts. Moreover, it works against you. As soon as you learn something, you assume that others also know this. This is human nature. And the result is bad texts.
It’s difficult for all of us to imagine what it’s like not to know something that we already know. People assume that the words they know are known to everyone. That the facts that they know are universal knowledge. And in the end, the writer does not think about what the reader does not know.
How do you get around this problem? Do what writers have always done: let someone else read your text and say if it is understandable.
Social psychologists have found out that we are too confident in our ability to understand what others think. That’s why professional writers have professional editors. However, do not worry if you do not have a suitable editor at hand. Your reviewers do not need to be experts at all or represent a representative sample of your audience. Often, it is enough for the text to be read by someone else, but you.
Writers often have a position that they do not want to talk about themselves. They think it’s immodest. They prefer to lay out the facts. The result is a faceless and rather flat text, the author of which looks like a pedant, who teaches the audience.
- A story with your storyline
Then behind lines of the paper, the readers will see a living, thinking, and developing person. They will understand his circumstances and the way of thinking. Such a text gives the reader an opportunity to look at himself from outside and ask himself a question – is it relevant for me? Such text involves the reader in the process of comprehension.
Do not hide the main thing
Tell the reader what your main idea is and say it right away. People need a fulcrum so that they can follow your thought. Otherwise they are lost. Readers are always forced to think out details, read between the lines. And this means that they rely on their background knowledge to understand the text.
If they do not understand what kind of knowledge to apply here, any fragment of the text will be too streamlined and superficial for them, and as a result incomprehensible. The author should from the first lines help the reader understand what the topic of his text is and what its essence is.
Are you worried that this will kill the whole intrigue? Again, do not try to be cleverer than other – be simpler and clearer. In intrigue, there is no point, if people do not understand what you are talking about and quit reading after the first paragraph.
Many authors are afraid to do this. They do not want to say something like “this is a text about hamsters”. It seems to them that it takes away the highlight of the text. But except for the cases when the text is written by a very skillful author of detectives or a very capable humorist, it is better not to mislead anyone and make the reader happy with a sudden illumination. The reader must understand in advance where the author leads him.
How fast does it have to be said? Quite fast. At the beginning. The author should let the reader understand what he is trying to get from him.
- Signal (something served as a stimulus for change)
- Information (your thoughts on this issue, why you were hurt, what was wrong, search for a solution)
- Undertaken actions
- The result is what changed and what it became
- Your evaluation of the experience (how your ideas about yourself, the situation, the surrounding reality have changed)
- A new meaning (new understanding, the general line of your life, following which you realized that it became interesting to live)
It isn’t necessary to play by the rules (although you must try)
We all know people who like to cling to words. Dictionaries are not collections of rules. They follow the language, and do not direct it. The editors of the dictionaries read a lot, carefully look for new words and meanings that are used by many authors in a variety of contexts, and then add or change meanings.
Do the rules make the text better? On the average, of course. But creativity is also appropriate. Languages can and should change, and it’s great. A good writer knows the rules, but he knows how to break them.
This point, perhaps, should be commented in the following way: improvisation begins to be obtained when the skill is worked out and the mechanics of the process does not cause difficulties. For beginners, it’s not recommend to get carried away with finding the original form. Of course, if you really want, why not try it. But as the experience shows, the most popular texts are those that are written very simply.
Read, read, and read again
Many great writers have never read a guide to writing skills. How did they learn something? By reading, reading, and reading other books.
You can’t learn to write well if you do not spend a lot of time immersed in the text, looking for thousands of idioms, designs, speech figures, and interesting words, developing your writing flair. This requires the ability to savor and disassemble examples of good prose that gives you a sample, a goal, allows you to become more sensitive to hundreds of factors that produce good phrases – these factors cannot be singled out and formulated individually.
What to read to write good texts? Of course, the good articles of famous journalists.
- Annette Simmons – Whoever Tells the Best Story Wins: How to Use Your Own Stories to Communicate with Power and Impact
- Nora Gal – Words Living and Words Dead
- William Zinsser – On Writing Well: The Classic Guide to Writing Nonfiction
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