History of the Lambada and Its Romance With World Music

Lambada History is very interesting, because it is composed of many stories which is quite difficult to hear one and the same story of Lambada. But doubtless remains the fact that the Lambada is one of the very most famous and popular Latin dances, that happen to be known and are dance throughout the world.

The expression "Lambada" identifies the rhythm (an assortment of karimbo and merengue) and party that combines components of Forry (forro), samba, merengue and maxixe (Brazilian dance of the nineteenth hundred years), which acquired huge success in Europe. Lambada became typically the most popular dance in 1989 and early 1990's. This fiery party which was born in Latin America, ruled the whole world, and in European countries it sold over two million data with Lambada music. People were amazed with this music that reminded the rustle of hand trees, the lapping of the warm ocean, singing of wild birds. That's why in the first 90's nearly every day on North american and European television was shown video of Lambada dance by professional South North american dancers. That was true musical performance training video, that was kind of your dance institution, and opened a whole world of Latin American culture. Europeans and People in the usa required Lambada with enthusiasm, they admired the fiery and the lighting of Hispanics, and soon Lambada was dancing in the complete European countries and America.

The background of Lambada and its relationship with the world music

The roots of Lambada party came from "karimbo" - at the time when Brazil was a Portuguese colony (1500-1822 gg. ) in the northern area of the country there is a popular dance called karimbo, that was very sensual party of man and woman. As time passes the party has improved, and evolved the music: due to closeness to the Caribbean region, the Caribbean music culture acquired a strong affect on Brazilian music (right now we can feel it if you listen to Caribbean radio stop in the north state governments of Brazil). This close relationship gave birth to some new rhythms - Sirimbo and Lari Lari; so karimbo dance eventually changed so much that gave birth to virtually new one. Over time the local radio place Belem (capital of Para) started out to call this new kind of music "percussion rhythm" and "the rhythms of Lambada" (the word Lambada means a solid rhythmic beats of music). This previous name "Lambada" became very popular and became associated with the new image of the old party style.

Later people again commenced to boogie karimbo in pairs, and it was very much like merengue, but possessed a larger quantity of spinning. In the end, an assortment of metal and electronic music of the Caribbean once more changed the facial skin of karimbo, and the music quickly distributed throughout the northeastern region of Brazil (the most touristic places), only this new "karimbo" had been called Lambada.

Lambada long traveled along the seacoast, and finally come to Bahia (the oldest of the Brazilian condition), where it began to experience the result of dance Forry (another old Brazilian style with the accented tempo). Slowly but surely, the timing of Lambada from a 4 / 4 modified to 2 / 2, so it can be confidently said that it was then Lambada completely lost its resemblance to the karimbo. Lambada was danced with bent feet, steps were created from side to side rather than from front side to back. Inside a fashion were tight skirts, and it just happened so that they started out to be from the Lambada, and Lambada - with them. Even nowadays in some places (for example in 'Lambar' - in the nightclub of the location of Sao Paulo) we can steel meet the basic couples: a female in a slim skirt and a guy in long trousers. (Kempley 1990)

Together with the 'Trio-eletricos' (great mobile system in which musicians perform dancing and singing during the Carnival) Lambada began to spread along Bahia and settled in the city of Porto Seguro. Through the first growth of Lambada in the south-eastern region of Brazil (the most financially developed) it refered to the rhythms that came from Bahia, and were assumed that all these rhythms live only in the summer and then pass away. While all recognized that the Lambada was a real rush of the summertime, many early on lambaterii (places where in fact the Lambada was danced) wewre shut down closed down in winter when travelers kept. However, Lambada did not die. . .

The account of Lambada propagate to Europe says that 1 day in late summertime, several French businessmen came up to Brazil and bought the music protection under the law to 300 music in the style of Lambada. Then they came back to France and planned a group 'Kaoma', investing lot of money in its promotion. By doing so the Lambada style became known across the world and reached even china and taiwan, where it has remained even today. The world fever of Lambada was so strong it even went back to Brazil, to the most economically developed south-eastern region, that has recently forgotten it. The fact that today in Brazil there are a large number of schools of ballroom dance, great tournaments and tens of thousands of dancers is a merit of the French 'Kaoma' and their international success.

This second influx was called the Second Growth of Lambada and this event greatly affected the earth culture. To begin with Lambada became an international phenomenon, when millions of young people again began to dance in pairs, and evoked a wave of interest to the Latin American culture.

Having spread surrounding the world, the dance has changed drastically. Due to the fact that in Europe there was insufficient good dancers of Lambada (for example for movies and shows), most specialists was required to make changes to it: the Lambada was added with whirling and steppe-like elements from jive and East Coastline golf swing, as well as some acrobatic movements. Many dancers have begun to mix Lambada with other musical styles, looking to create something new and strange.

As to the Lambada music, it was played out on all radio stations, and some musicians (eg, Sidney Magal and Fafa de Belem), trying to follow this new vawe, created new real strikes on its basis. However, soon people uncovered that their interest to the Lambada was based solely on efforts to earn much more money, and these musicians were quickly ignored. Over time, many composers of Lambada seemed to be neglected, these music and dance were burning off their vitality, and an incredible number of fans surrounding the world were helpless before it. Another musicians have begun to combine Lambada with other musical styles, mixture Lambada with Caribbean Soca, Merengue, Salsa and Zouk. Anyhow, now Zouk is a kid, a native child of our favorite old Lambada.

Thus we can say that Lambada - is a genuine tempo of Latin America, that includes a rich and shiny national culture. History of success and spread of Lambada throughout the world implies that the culture of Latin America is very popular and interesting to people about the world. Latin American dances are always extremely popular, millions of people around the world want to dance them. Also, Latin North american music allures Europeans and People in america using its incendiary rhythms, unique electricity. Lambada became one of the very most fantastic and incendiary party, which danced the whole world, and despite the fact that its success is already lost, the time of Lambada opened up the lighting of the culture in Latin America to the planet and brought new audio and rythms to the planet music industry.

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