A analysis on george herberts discipline

George Herbert's Willpower is a spiritual poem that is representative of the personal and candid relationship that the poet has with God. The poem is an debate, from Herbert, for God to act justly and lovingly. Herbert's correct use of dialect creates a work that is light and melodic. The poem is both pragmatic and relevant to today. By determining his romance with God and challenging preconceived notions of Him, Herbert has made open public the strength of his idea. By writing with eloquent brevity he has generated a work that was open to public interpretation and the one which has made a prolonged impression. Perhaps of greatest importance, Herbert achieved to make God seem more accessible to visitors.

A name like Discipline conjures notions of abuse, but also justice. Herbert is seeking to prove God's justice. Herbert is writing to sway God away from consequence. The poem is also written a in favour of, and in compliment of, love, which seems contrary to its heavy name. Lines such as 'Love is swift of feet/Love's a guy of warre', could lead a reader to presume that Herbert is explaining like to one who is not really acquainted with the sensation. However, a note of importance to the examination of the poem is the fact the 3rd stanza infers that the source of Herbert's debate is God's Bible, 'By book/And thy book alone'. Because of this, Herbert is not informing, but simply reminding God of what He has recently decreed. That is hence why the final stanza need only do it again the directives of the first, 'Throw away thy rod', and to closes with, 'Though man frailties hath/Thou art God, ' and the repetition, 'Toss away thy wrath'. Self-control, from this perspective, will not denounce God, but instead offers praise to His potential at being more loving than punishing.

The precise use of vocabulary and the brevity of verse create lines that are light and melodic. That is effect is attained by writing in rhyme and quatrains with an iambic dimeter. The five and three syllable lines produce a shortness of verse that is light and melodic. The debate itself, simple and straight to the idea, is unlike the poem's heavy subject. The subject of the poem is made immediately in the first stanza where stress is given in the lines 'Put away thy rod/Throw away thy wrath. This anaphora lays emphasis after the poet's idea that 'love will do the deed' better than the 'pole', a metaphor for consequence. The tone can also echo the poet's view that God should be revered, but, at the same time, rejoiced. The brevity of verse may be read as restraint or humbling, on Herbert's part, in speaking to God. The feeling of restraint seems a symbol of the poet's reverence for God. This may be further analysed as creating an argument that require not be put into words by any means and the poet affirms this, 'Nor a expression or look/I affect to own'. On the other hand, Herbert's clear restraint is juxtaposed at times with his level of candidness. The poet points out that God recognizes love in 'That which wrought on thee', referring to love's past affect on God and this it 'Brought thee low'. Up to now, perhaps, the poem is a homily to the data and powerful grasp that God has of love.

The poem is pragmatic, but also preserves relevance in present times. It achieves this relevance since it is challengeable by current standards. Herbert recognizes two sides to God. The foremost is the upset God as suggested by the anaphora 'Throw away thy fishing rod/Throw away thy wrath'. This God must be pleaded with, 'Oh my God/Take the soothing avenue', to refrain from punishing the poet. Alternatively, maybe it's read to be about a loving God who has the capacity to punish, but will like instead because it is His nature to take action. Firstly, the merciful, and, thus necessarily caring, God is implied by a 'throne of sophistication', which the poet must 'creep' to to ensure that he be forgiven. The usage of 'throne' as a metonymy for God's responsibility to be forgiving is similar indeed to the idea of a ruler enforcing justice. There is also an anaphora, 'Though I are unsuccessful, I weep/Though I halt in tempo, ' which implies that the poet is aware of his wrongdoing and therefore needs love and forgiveness more than punishment. That is a delicate sentiment, which will be a paradox in a poem that entirely discusses discipline. However, by writing of God in this light, Herbert can make Him seem more attainable for all those to whom flaws are commonplace. This notion of penance remains appreciable in present times.

Discipline can also be read as an effort to authority, particularly the expert of the Church during Herbert's own life. Here we have the poet getting close to God not through the Church, but directly speaking to Him as though he alone gets the power to change God's mind. One might picture the poet in courtroom talking with God as judge. The poem's title evokes a need for justice or mercy. The poet is thought to be subjecting himself to God's will, 'unto thine is bent. ' Further, 'I aspire/To a complete consent', affirms that God is within the position of ability. Conversely, the directive use of 'chuck' and 'take', in the first stanza, presents a command word that is terse, but moderate; immediate, but personal. By proclaiming to his judge, 'Thou artwork God', Herbert is implying that his life is in God's hands. The declaration also conjures a feeling of God's love and forgiveness being essential to his state of being. Moreover, within the last stanza the directive use of 'Toss away thy wrath', is repetition of the second series in the poem's first stanza. It is here that the poet asserts his most powerful argument, which sustains that God will choose love over abuse because it's in His characteristics. Thus, Herbert is implying that God's very characteristics would forbid Him from choosing anger over love.

The poet eloquently balances his awareness of God being capable of both love and anger. As a result, the reader comes with an understanding of the effectiveness of the poet's trust. Furthermore, the poet is not questioning God's love, but simply asserting that His love is higher than His punishment. From the 3rd stanza, 'Nor a phrase or look/I impact to own', reassures the audience that the poet seeks never to question God. Moreover, the lines 'But by publication/And thy e book alone' indicate the foundation of Herbert's argument. 'Thy e book' refers to the bible and 'by publication' indicates how the poet figured love is better than punishment. The mention of the Christian Bible is paramount to the legitimacy of Herbert's original debate. It is because without the Bible as backbone to his argument, this poem wouldn't normally have been so well embraced by those people who have read it.

Through Discipline, the poet seeks to identify his romantic relationship with God. By speaking directly to God, 'thy rod/thy wrath', in the first person, Herbert immediately conveys the sort of marriage he has, or wish to have, with Him. The poet evokes two prevailing human emotions that tend to be associated with divine power. There is the tendency to fear great electricity or 'wrath', but also a yearning to understand that metaphysical power. One way Herbert seeks to comprehend God is to split up Him into 'love' and 'wrath'. By exploring his own romantic relationship with God, the poet permits the reader to enjoy the poem on different levels. It can be read as a testament to God's love, 'Love is swift of foot/Who can scape his bow?'; as a merchant account of his anger or punishing characteristics, 'thy rod/thy wrath'; and also as beautiful literature that rolls off of the tongue because of its limited use of syllables and meter, such as in 'Oh my God' and 'I aspire. ' By laying bare his beliefs to the general public, Herbert has not only expressed himself, but done so in a manner that allows others to feel they too can most probably, even when confronted with something greater than themselves.

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