The Breakfast Membership was directed by John Hughes and released in 1985. The film is about five students which have to spend each day together in Saturday detention. Each one of these students in the very beginning of the movie seemingly meets into their respective stereotypes. The movie describes them as the "Brain, " the "Athlete, " the "Basket-case, " the "Princess, " and the "Criminal. " Although all five of the character types under go a great deal of expansion, and realization of themselves as well as their peers, this task only demands two of them. I've chosen the "Athlete"- "Andrew Clark" performed by Emilio Estevez, and the "Criminal"-
"John Bender" enjoyed by Judd Nelson.
I'm here today because my mentor and my dad don't want me to blow my trip, you see I get treated differently because instructor thinks I'm successful, and so will my old man. I'm not a champion because I wanna be one, I'm successful 'cause I got strength and velocity, kinda just like a race horses, it's about how exactly engaged I am in what's going on to me.
This statement helps it be clear that he's more personal aware than we realize.
John Bender is the trouble-making, smart mouthed rebel. He also views himself as a hardcore guy, self-confident and cocky, only thinking about what he's interested in and making fun of whatever he can. There are more than enough events that prompt self recognition for John. John is constantly belittled, and berated by everyone around him, both individuals and peers. A very important factor that illustrates this is when John is mocking Andrew in the beginning of the film, and he agitates Andrew to the point where he says, "You know Bender, you do not even count. You understand if you go away forever it wouldn't make a difference, you might as well not exist at this school. " You can somewhat see that John's feelings were just a little hurt. But he almost immediately comes back with a witty remark about getting started with the wrestling team. He bounces back quite easily but his continuous need to bring others down implies that his own self esteem isn't high in any way.
There are three steps to the belief process they are really, attention and selection, company, and interpretation. The film contains many perceptions, the majority of which are located in inaccuracies. The picture I'll discuss is the main one in which we first see John and Andrew connect to each other. John is being obnoxious and loud drawing attention to himself, when his humming and air electric guitar fail to get a reaction he serves as if he is going to urinate on the floor in front of his couch. Andrew turns around and threatens him. Both verbal and nonverbal gestures are needed to realize the understanding process that the two of them go through. What we know about Andrew and John is that they have gone to institution together for quite some time and know of each other, but only based on gossip observed around the institution and stereotypes.
John's Perception of Andrew: We see John using power in the "Attention and Selection" stage of the belief process. Level in the notion process is described as "something that makes it stick out. " John notices Andrew's letterman jacket, since Andrew's clothes are the only part of his being that John has access to, so Andrew's outward appearance is what John's judgment is dependant on. He then progresses to the "Organization" stage of the perception process and using "simplification, " brands Andrew as a jock, with Andrew labeled John quickly steps into the "interpretation" phase, predicated on stereotypes of a person who might wear a letterman coat, John uses "expectations" to conclude that Andrew is Stupid, Hot Headed, making him a simple focus on to be manipulated for John's own entertainment. (i. e. (a) all jocks wear letterman jackets (b)All jocks are stupid, hot going, jerks [stereotype]. Andrew is wearing a letterman coat therefore Andrew is a jock, if Andrew is a jock than he's a ridiculous, hot-headed, jerks. ) Personally i think that "expectations" is the travelling force because at this time in the movie they don't know any thing about each other. The "expectations" portion of the interpretation level is described as an expectation of folks to be a certain way.
Andrew's perception of John: Andrew also utilizes depth in the "Attention and Selection" period. But it is John's rude and obnoxious habit that attracts Andrew's attention alternatively than just John's clothes. Getting into the "Organization" period, Andrew requires John's refusal to be silent, and his obscene gesture of attempting to use the floor as a toilet, and using "simplification" classifies John as a trouble-maker. The "interpretation" phase starts off quickly, because of stereotypes and gossip read around the institution, Andrew utilizes "expectations, " to come to the conclusion that John is hard going, and is going to do anything he is able to to make things as difficult as you can. I feel that "expectations" is the traveling force because at this time in the movie they don't know anything about one another.
Andrew is confronted once again to ask "Who am I?" in the world where all are sitting on the floor together conversing, Claire asks him, "Why is him bizarre"? Initially he doesn't answer, so Allison answers for him, "He can't think for himself. " "She's right, " Andrew says. And Andrew unveils what he actually do to maintain detention, he taped a boy's buns along. But he achieved it because he noticed his father was disappointed in him for not chopping loose on anyone. This shows him to be a bully and a coward, however the remorse he seems afterwards for causing such humiliation implies that he does truly want to be always a very different person. Self Idea is thought as our description of the competencies and personal traits. In this arena we discover that traits that appeared to be dominant and appreciated parts of Andrew's personality are actually at the foundation of his personal loathing. Andrew is incapable of self-employed thought, he does know this and it is something he isn't proud of. His self esteem is revealed to actually be really low.
There are plenty of displays in the film that prompt self-awareness for John. He is constantly berated, belittled and abused by the people in his life. Inside the scene about half way through the movie John operates out some of the action of his parents dialling him any and every bad thing but his name, when Andrew expresses his disbelief, John shows him his scare from a cigar burn off he received for "spilling color in the storage area. " John is the one character it doesn't really under go just as much revelation as everybody else. His belief of himself doesn't change just as much as his conception of his peers. By never knowing any of them before his perceptions were located in stereotype. However the events of your day show John that everyone else is just as screwed up as he is. So, in all likelihood his self-concept and self esteem improved from noticing that he isn't as alone as he thought he was.
Symbolic interactionism, matching to Herbert Blumer is dependant on three basic premises. The foremost is that "human beings act toward things based on the meanings that the things have for these people"(2). The second, that "the meaning of might be found is derived from, the public interactions one has with one's fellows"(2). The third premise is these meanings are handled in, and improved through, an interpretive process used by the person working with the items he encounters"(2). There are many events in the film where Andrew and John change their perceptions of each other. One of the first incidents of change is when Andrew doesn't give John up to Mr. Vernon after he requires the pin out of the door. Another event is when John has Mr. Vernon chase after him in the hallways to be able to give everyone else an opportunity to get back to the catalogue without getting caught.
Perception checking out Andrew and John don't really appear question their perceptions of 1 other. Each of them don't talk to find a more accurate view they have got their few moments where I'm sure they state to themselves, "Hey maybe he's not such a bad guy after all" however the issue is never specifically pursued in the film.
"Self-awareness. " Merriam-Webster Online Dictionary. 2010. Merriam-Webster Online. 25 March 2010
The Breakfast Golf club. Dir. John Hughes. Perfs. Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald, Ally Sheedy. General Pictures. 1985. DVD. 2008
Company, R. R. , and Herbert Blumer. Symbolic interactionism. Univ of California Pr, 1986. Printing.
Verderber, Kathleen, Rudolph Verderber, and Cynthia Berryman-Fink. Inter-Act. Oxford Univ Pr, 2009. Print.
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