Analyzing The Outsider An Metamorphosis British Literature Essay

In The Outsider by Albert Camus along with the Metamorphosis by Franz Kafka, both writers utilize the protagonist's distinct characteristic and central theme to evoke sympathy in the readers for Gregor Samsa and Meursault, which is explored in a deeper framework in the essay. Both protagonists have their own people which identifies them as a person. Visitors will be replete with sympathy realizing that the protagonists' misfortunes were a result of their characters. Themes are used expressing ideas and are employed by creators as a literary device to bring forth basic elements in virtually any story. The primary theme in both books bring into light the greater significant framework of what the story targets, hence pulling the readers closer to presiding situations which impacts the protagonist, and finally brings forth the sympathy we feel.

When Meursault kills an Arab he is adjudicated not for his murder, but for "burying his mother just like a heartless criminal" (p93) after finding he was enjoying and having a great time on your day after his mother's death. Since it is common for folks to mourn for the loss of a loved one, having less matter he has towards his mother's loss of life differ from the communal norms. Meursault was punished for his insensitivity as the Prosecutor talked about Meursault's frame of mind towards his mom "much longer" (p98) than "about his criminal offenses" (p98). He was tried out for not expressing regrets or displaying emotions during the trial due to the fact he did not feel any of it, being truthful throughout even if it afflicted his fate. Therefore, this elicits sympathy in readers as he in incapable of associated with others, conveying how his nonchalance led to his downfall as the trial positioned a sole give attention to his character rather than the offense he devoted.

In The Metamorphosis, Gregor's altruistic persona is illustrated from the start of the novella, portraying how he hates his "grueling job" (p3) as a going salesman, experiencing the "torture of exploring, fretting about changing trains, eating unpleasant food by any means hours" (p4) when he actually wanted to quit in the past. Yet, Gregor only has his job at heart as he does not have any intention of allowing his family down. More notably, despite his sufferings he sacrifices his time and freedom of preference profusely by carrying on with his job which he loathes a great deal merely to provide his family with "such a life in so nice an apartment" (p21) and also to pay back his parents' debts.

Sadly, when he changes into a vermin, his family repays his devotion by neglecting him, and "swallow their disgust and go through him" (p38). His family feels the need put up with the revolting look of Gregor and bear with his vermin form, thus revealing their ungratefulness. Gregor is no more of any use "since his transformation forces him to stay in his room" He eventually dies from the guilt of burdening his family because of his incapability to provide for them and also because he lost his final connect to his family- Grete, his sister and closest family member-when she agrees Gregor is burdensome. Hence, we sympathize for him as Gregor is neither thanked nor treasured for his selfless serves, but instead shunned by his family- his natural source of love and support.

The notion that Gregor and Meursault suffer the same destiny to be neither emotionally nor socially involved with their families or with others, and expire lonely is similar for both protagonists. Thus, it engenders our sympathy for Gregor as he sacrifices much but his activities aren't repaid with kindness which is isolated from his family, while Meursault's downfall was a consequence of his indifference.

The central theme Camus conveys is the meaninglessness of human being life. For Meursault, there is absolutely no purpose in life and only one definite thing-the inevitability of death-as portrayed inside the Outsider. Meursault realizes that everyone must die in the end, either from later years or by execution. He then concludes that he, like everyone else, is of no more importance, "Considering that you need to die, it certainly doesn't matter just how or when, " (p109) hence drawing that life is worthless. After speaking with the chaplain, nearing the time of his fatality, Meursault realizes that he previously been happy, and "was still happy" (p117) when he perceives death to be inevitable by anyone once he finally grasps the idea of death as part of individuals life. Therefore, we can exhibit sympathy with Meursault as his view and so this means of life are both very pessimistic. He will not seem to appreciate life as a blessing, but views it in that negative light which will make life not worthy of living and taken for granted.

Whereas, the primary theme Kafka expresses within the Metamorphosis is change. Gregor activities a physical change when he "wakes up one morning hours from unsettling dreams" (p3) to find himself "changed during intercourse into a monstrous vermin" (p3). His words also undergoes an alteration to "the speech of an pet animal" (p12). His change into a vermin alienated him from his family as he could no longer communicate or be observed by them. After Gregor's physical change, it sets off the mistreatment he gets from his family. We sympathize with him as the changes taking place to Gregor were unwanted for him, despite having done nothing wrong.

This change experienced by his family subsequent to Gregor's metamorphosis caused his rejection by them, since he is struggling to work to meet his family's needs and provide for them. Instead, he previously to be studied care and attention of by his family, and overtime, they little by little disregarded Gregor, angering him with the "miserable treatment" (p41) he was presented with in return. Being the sole breadwinner, Gregor's family was required to understand how to be self-reliant and discard their reliance on him by acquiring jobs. By the finish of the novella, after Gregor's fatality, his family found life "especially appealing, " (p55) portraying the optimism and wish they noticed in their future without Gregor. Thus, we sympathize with Gregor as he worked so hard to offer his family an appropriate life; however his change into a vermin demonstrated that his family cared for him as a salary to provide for their needs, seeing as how they neglected him when he needed help the most.

The theme of life being meaningless somewhat applies to Gregor's life as he has nothing worthwhile living for, as consequence of sacrificing very much, and not living his own life as you should be doing. Yet, he is constantly on the persevere for the sake of his family who in turn become unappreciative of his dutiful actions and avoids him after his metamorphosis. This causes us to sympathize as the change seen in both characters resulted in their eventual deaths, and an identical idea where life becomes void as there is no longer anything worthwhile living for, either by living life as not how you will want it to be or the realization that the thing you can get from life is fatality.

Through both authors' use of characterization and central theme expressed, viewers will gain a deep insight of the way the protagonists are resulted in their deaths. Gregor's transformation into a vermin was unfavorable as it made his members of the family shun him, in the end his effort and effort he selflessly devote to provide them with a comfortable lifestyle. This conveys how his unconditional love for his family runs unnoticed; hence it evokes our sympathy for him as his kind activities are disregarded. Gregor's metamorphosis makes a change in his family's attitude towards him and dependence gained by his family. While Meursault's criminal offense made others evaluate him for his indifference and incapability of associated with others, hence participating in a significant role in his fatality as he was tried out entirely for his frame of mind towards his mother's loss of life and severe insufficient feelings. This engenders our sympathy for him as he's devoid of individual feelings from the start of the novel, which character resulted in his death sentence.

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