Characters And Configurations For Everyday Use British Literature Essay

Alice Walker's short account "Everyday Use" instructs a story of any mom and her two daughters who've different ideas about their traditions. The mom, Mama Johnson, narrates the story and says about the day her child Dee returned to visit 1 day from college and exactly how Dee wants to have some items again with her. Dee has different views than Mama Johnson and Maggie do about their family traditions. Walker, writer of "Everyday Use" describes a young adult daughter known as Dee who doesn't realize the importance of her heritage, but after participating in college returns to go to Mama Johnson and Maggie, and suddenly superficially realizes where she came from. Dee used to try to educate Maggie and Mama Johnson by reading to them if they wanted Dee to learn to them or not. This is one of the ways she was striving to change Mama Johnson and Maggie to become more like the way she believes and speaks. Dee's younger fragile sister Maggie, scarred by a residence fireplace, and Mama Johnson, a single mom who works such as a man, live collectively in the rural south on the pasture where cows roam free. Mama Johnson makes a full time income from reselling cattle. Mama Johnson daydreams of the way she is convinced Dee will need her to be and exactly how she would want Dee to be as it pertains to their values in heritage (Walker 109). Mama Johnson makes the most important statement of the storyline without using words but activities when she can take the heirloom quilt from Dee and hands it to Maggie. Both daughters are from the same family yet somehow they have got their own values about their heritage. Maggie the one that is delicate and uneducated proves to really have the right concept of their heritage which is proven through the symbolism of the quilt. Walker uses everyday what to symbolize the story's focus on the worthiness of plain items and what they indicate to Mama Johnson and her two different daughters: Dee, the educated one who wishes no part of what her life used to be and Maggie, fragile and uneducated but is aware the true idea of their family heritage. Mama Johnson realizes which girl deserves the quilt.

Dee Johnson believes that she is confirming her African American traditions by changing the name she was given and by changing just how she dresses to confirm her BLACK heritage: and she needs the quilt for the same reason. Dee is described as "shallow", "condescending" and "manipulative and lacks an understanding of her traditions (Farrell 179). Dee didn't have lots of friends and the friends she did have were furtive boys in pink and nervous ladies that worshiped how she appeared and spoke (Walker 110). Dee can speak to anyone in the eye without hesitation unlike Mama Johnson and her younger sister Maggie. Mama Johnson could send Dee to university in Augusta with help from the Cathedral (Walker 110). When Dee came back to visit Mama Johnson and Maggie she was someone different. She used a noisy African dress right down to the ground and greets Mama Johnson in Arabic (Walker 109). Clothes she wore symbolized her new id. Dee wished to show Mama Johnson and Maggie her new and revised identity. Dee brought a Polaroid Camera with her to take pictures of Mama Johnson and Maggie. Dee can take several photos of these and made sure the home was included in the pictures. Maggie was cowering behind Mama Johnson while Dee had taken the pictures. Dee even takes a picture of the cow that had wandered to the house. Mama Johnson was amazed that Dee was even taking pictures of them and the house. Mama Johnson thought that Dee would want to burn the home down like the first house performed because Dee hated it as much. After Mama Johnson telephone calls Dee by her name, Dee informs Mama Johnson that she's evolved her name to "Wangero Leewanika Kemanjo" an African name because she couldn't keep any longer being named after the people who oppress her (Walker 111). Dee informed Mama Johnson "Dee was useless" (Walker 111). Dee discusses the handmade benches, the churn top Uncle Friend whittled out of the tree, and the dash her other Uncle Henry made that are in Mama Johnson's kitchen. Most importantly she requests the heirloom quilts that were created from scraps of dresses Grandma Dee experienced worn over fifty years back and bits and pieces of Grandpa Jarrell's Paisley tee shirts. There is one small part that was from Great Grandpa Ezra's uniform that he wore in the Civil Battle (Walker 113). While all these items were there when she resided at home it's given that she realizes the worthiness these things have and Mama Johnson had even offered Dee to consider one of the quilts when she left for college or university but Dee didn't want the quilt at that time because Dee thought the quilts were out of style (Walker 113). Mama Johnson guaranteed the quilts to Maggie as a marriage product. Dee insisted on taking the things again with her when she remaining. Dee is rejecting her family history and identity by changing her name but yet still would like the things that represent her heritage but for the incorrect reasons. Dee appears to try to get rid of everything that signifies her family beliefs including her name. Dee is not like Maggie.

Maggie is explained by Mama Johnson as being a somewhat frightened dog that accepts burning off and backs down on any situation she sees a risk (Gruesser 184). Maggie is completely the contrary of her aged sister Dee. "Maggie will be stressed until after her sister moves: she'll stand hopelessly in edges, ture o envy and awe" (Walker 109). Walker creates how Maggie will action until Dee leaves again t school. Maggie is also identified by Mama Johnson as a lame creature ignorant enough to be kind to everyone even if they do her incorrect (Gruesser 184). The house fire kept Maggie scarred for life. Maggie's scars run deeper than simply physical wounds (Walker 109). Maggie was perhaps used up trying to save lots of the quilts Dee covets" (Gruesser 184). The home fire acquired no affect on Dee. Unlike Dee, Maggie has a limited use of terminology (Tuten 127). When Maggie listened to Dee ask for the heirloom quilts she was annoyed because she knew Mama Johnson could not inform Dee "no" (Tuten 126). Maggie advised Mama Johnson to let Dee have quilts and she'd remember Grandmother Dee without them. Maggie was displaying that she did not need an subject or item to remember where she originated from.

Mama Johnson recognized at that time that Dee didn't deserve the heirloom quilt. "Mama Johnson does two things that she has never, surprisingly enough, done before: she hugs Maggie and she says "no" to Dee. " (Gruesser 185). By Mama Johnson choosing to give the quilt that presents their heritage to Maggie, it provided Mama Johnson and Maggie a words they never thought they had. Dee wished the quilts for the incorrect reason because it was now trendy. She didn't want the quilts since it represented her history. "She would like the photographs -and currently the churn lid, the dasher and the quilts-for purposes of display, reminders that she no more has to live in such a residence, care for such a cow, have daily intercourse with such a mother and sister" (Cowart 175). Dee only needed the heirloom items to show them within an artistic way and not for day-to-day use. Dee didn't want Maggie to keep these things because Maggie would mess up them by with them every day and Dee thought they needed to be maintained. Mama Johnson thought they must be used because she had them put away for such a long time that it was time someone put them to ever day use (Walker 113). Dee kept annoyed and shouting the way they just did not understand their traditions when it was Dee herself that lost perception of the real value of her heritage.

"Certainly the quilts over which Wangero and her mom quarrel signify a heritage significantly more personal and immediate than the intellectual and deracinated child can easily see; indeed, they represent a heritage she has already discarded, for she no longer stocks a name with those whose lives, in scraps of cast-off clothing, the quilts transmute" (Cowart 179).

After Dee remaining Mama Johnson and Maggie sat on the porch enjoying a dip of snuff until it was time and energy to go inside your home and go to sleep (Walker 114). Although each character in the story is from the same heritage, some will have different views of computer, and Mama Johnson realizes which of her daughters deserves the quilt that symbolizes their heritage. Maggie is aware of how to quilt and may make her own, it was the actual quilt and giving it to Maggie represented what mattered to Mama Johnson.

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