Conflicts Within 'Long Day's Journey Into Night'

Firstly, we have to distinguish which will be the major issues in it. You can find four main problems, each one related with each character. To begin with, we've Tyrone's stinginess, or as he telephone calls it, money prudence, that is shown through several cases along the play. Because the beginning, when the character is introduced, it is said that "he thinks in using his clothes to the limit of usefulness". After that, we learn that he likes to spend money on real real estate speculation. Mary complains that Tyrone never hires any good servants. She is dissatisfied with Cathleen, and she blames Tyrone for not hiring a much better maid. We also learn in the play that Tyrone has bought a car to Mary, but she hardly uses it. He considers this a misuse of money. In addition, at the beginning of the function IV he comes with an discussion with Edmund about turning off the lights. The consequences of his stinginess have an impact on the whole family, who'll accuse him to getting the cheapest doctor, firstly for Mary, which induced her dependency to morphine, and then, for Edmund to take care of his utilization. Jamie requires that Tyrone send Edmund to a good sanatorium, not to a cheap one. Jamie says that Tyrone considers utilization is fatal and, therefore, it is not worth spending money on trying to treat Edmund since he is guaranteed to perish anyway. It is later shown that Edmund shares the same thoughts and opinions about Tyrone as his brother. When his father provides Edmund money to pay Doc Hardy's visit, he mentions that Tyrone may regret presenting him money as Tyrone feels Edmund will expire. Tyrone is harmed by this comment, and Edmund inmediately regrets doing it and makes amend with his father. In the action IV he justifies his financial prudence to Edmund with the storyline of his horrendous childhood. Regarding to him, Jamie and Edmund don't realize it because money hasn't been problems to them. However, he was discontinued by his father when he was little and possessed to work since an extremely young age. This made him understand the "value of an dollars" as he says and the importance of effort, something that he considers Jamie and Edmund shortage.

His dad, Tyrone, does not want to pay a pricey sanatorium, as he, corresponding to Jamie, feels use is fatal and extra cash trying to cure will be a waste materials of money. However, finally, Edmund and Tyrone consent in Edmund going to a far more expensive sanatorium than the one Doc Hardy suggested. This conflict seems to be mostly of the fixed in the play.

The third is Mary's craving to morphine. At the beginning of the play, we learn she's just keep coming back from cure program, but when she is back with his family, the dependency starts again. Much like Edmund's sickness, she won't admit there's a problem, and neither of the men will confront her about that, even if they know that she has used her addition again. This shows the communication problem the family has. Finally, Edmund instructs her to give up morphine, which put Mary on the defensive, denying that she still uses it and then making excuses for herself. She admits that she actually is always resting to herself, and she says she can "no more call my soul my own". She hope for redemption through the Virgin, however, she feels that she cannot pray any more because the Virgin will not pay attention to a "dope fiend". For some extend, her religious faith seems just like a new version of her medication.

At one point in the play, she narrates the foundation of her craving. After giving birth to Edmund, Mary suffered from childbirth pain. Tyrone hired Doc Hardy, who knowing no better way to treat her, prescribes her morphine. Mary blames Tyrone of what happened and accuses him of hiring the cheapest doctor, which in turn causes her habit. However, she also blames herself for breaking her vow of never have another baby following the loss of life of Eugene, her second child, something that Tyrone insisted on doing in order to displace his loss. Matching to her, Edmund's weakness is God's consequence for having another child. Keeping in mind the past, she feels guilty for not sticking to Eugene, and instead heading on the highway with Tyrone to keep him company. She also accuses him for not providing her the ideal of home she desires as she hates the house they live in. She says she never liked the theater, she did not feel aware of the theater crowd. Actually, she hates Tyrone's notion of home since it reminds her of the loss of life of Eugene, as he passed on when Mary was going with Tyrone. She blames herself for always doing what her husband wants rather than satisfying the dreams she had as a young girl: becoming a nun or a great pianist. She regrets marring Tyrone as that made her giving up her dreams. (However, later in the play, Tyrone says that Mary is deluding herself, that she did not have the willpower for being a nun or the ability to be a pianist. ) It appears she blames Tyrone of each disgrace happened in her life. However, when he says that he loves her in the work III, she responds, "I love you dear, regardless of everything. " This is one of the numerous contradictions in the play. Despite all the hurting they have designed to one another, they still keep themselves along, as a family, because they love one another. As a result of this, they make an effort to forgive one another, although they cannot forget.

Mary, of the four heroes in the play, is the one who is more unable to forget the past. The more Mary uses morphine, the greater she tends to delve back into the past. Actually, her addiction to drugs is partially triggered by her aspire to leave today's and come back to a period when she was more happy and was filled with desire. Indeed, she hates today's a great deal, that in the take action III, she admits that she secretly hopes to overdose and expire, but she cannot do it intentionally because suicide should go against her spiritual beliefs. In the last act, the unnecessary doses of morphine she needs do not wipe out her, but instead she falls into a mental state where she cannot recognize between the past and today's.

When Tyrone asks her to your investment history, she replies, "Why? How do i? The past is the present, isn't it? It is the future too. We all try to lie out of that but life won't let us. " Mary has a fatalistic view of life, making her feel that most occurrences are predetermined by days gone by and humans have little control over their own actions. She says to Edmund: "Jamie can't help what the past has made him. Any longer than your dad can. Or you. Or I. " Making use of this view to herself, she cleans away the duty of her actions and mistakes, in this case, her addiction. Corresponding to the theory, she also considers that the family could have been happier if indeed they have resided in a genuine home. In addition, Mary's comment that "the past is today's" advises the repetitive character of life in the Tyrone family. The incidents of the past are repeated in today's, equally the occasions of each day are repeated in a cyclical fashion. Even the title Long Day's Quest into Night shows that your day is not different from others, it is merely another day in the life of the family, only different because today they learn that Edmund has consumption.

The fourth problem is Jamie's lack of ambition in life. Tyrone frequently argues with him because of his laziness. Jamie has been expelled from several schools and has didn't be successful at anything. He spends his profit alcoholic beverages and whores. Mary feels Jamie was very sensible before he began enjoying and she blames Jamie's drinking on Tyrone, contacting the Irish ridiculous drunks. Truth is, all men are dependent on alcoholic beverages. As Mary with morphine, they all drink to flee their problems. This routine of alcoholism implies that this day is not different from others, but it just one day more in the life span of the disgraced family.

Mary says that Jamie is a "hopeless failing" and warns that he'll move down Edmund with him out of jealousy. The fact is that Jamie is not too bad as it could seem to be. He truly cares about her mother's addiction and he's also worried about Edmund. He even says that he adores him. However, what Mary says is true, as he himself admits that he is a bad affect, and he says that he did it on purpose, because he has been always jealous of Edmund. He wishes Edmund to fall season along with him: "I'll do my damnedest to make you fall. "

The play ends on an email of image resolution, that resolution comes from confessing the faults to make better the near future. First of all, Jamie warns Edmund to watch out for his jealousy, and before that, Tyrone admits his own stinginess and agrees to send Edmund to a high-class sanatorium hoping of treating him. Thus, two of the major family conflicts are at least partially fixed by the finish of the play.

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