Emily Dickinsons And John Keats Poetry Loss of life English Books Essay

Death can be an inescapable part of life; and it is true that many people are well aware of the fact that the circle of life includes both a beginning and an finishing. Emily Dickinson and John Keats accept the actual fact that death moves hand and palm with life, and write about it in their poetry as their own way of dealing with it. While both use death in their poetry they utilize it in various ways. For Dickinson, both her poems, "I like a look of Agony" and "Split the Lark - and you'll find the Music", show how fatality is a way to find the reality of your person. However, for Keats, in his poem "Ode to a Nightingale" fatality is feared but also seems to be the better option, set alongside the hurting and pain life seems to bring. Both poets use their works to express their thoughts and views of fatality.

During the Civil War, Emily and her family, were especially afflicted because friends of the family were often wiped out in battle. Fatality of close friends was a significant feature of Emily's life; many close to her were taken away. This consequently heightened her interest, fascination and perhaps fear of fatality, which appeared in so a lot of her poetry, including "I like a peek of Agony" and "Split the Lark - and you'll gind the Music" (Tandon 123). Fatality, the ultimate experience one has, is perfect for Dickinson the best benchmark; it reveals the ultimate truth or simple fact. In her poems "I like a glance of Agony" and "Split the Lark - and you'll find the Music", Dickinson shows the audience the way the real fact of one is found and observed in death.

Here she actually is wishing pain on another, watching them in anguish in the ultimate occasions of life resulting in death, doing so just so she can trust them. It is impossible to pretend or fraudulent, so she realizes the real fact through the agony of the dying person. Dickinson changes the agony of fatality into an optimistic, because it is mostly of the things an observer can easily see and trust; to her this is a rare second of undoubted truth.

The detailed specifics of this poem inform you that she's watched someone in agony, and by her own admission, has enjoyed it, making the poem even more troubling. She doesn't just need tears of agony to trust someone, she needs a "Convulsion, " "a Throe, " glazed over sight, "Beads after the Forehead. " They are all icons of the worst kind of pain, a pain that ends in fatality. This just would go to show how much Dickinson prices the reality. The awful details of the closing of a life are to her valuable details because they're the facts that what she sees, hears and feels are real and true. This the fact is a connection for her and the individual dying because she can trust them completely, in most techniques she cannot trust others.

The second poem by Dickinson, "Split the Lark - and you'll find the Music" has much of the same meaning of death. On this poem, the death of the lark shows the truth, that the parrot is actually capable of audio and music. But the loss of life of the bird comes with a price, once you've found the truth, that it is in fact with the capacity of music, it is inactive and can't ever sing again. Here Dickinson questions whether locating the absolute truth will probably be worth the price of death. She commences the poem in the first stanza by trying to explain to the audience:

By "split the lark" Dickinson means that by chopping the lark open up, you will easily find the equipment that make the music "bulb after bulb". She moves onto say, that if you would like to make sure that it is true you can dissect it. Her explanation of the "scarlet test" and the "gush after gush" is the blood of the bird from being dissected and pulled apart. Within the last stanza Dickinson also addresses one who, like Thomas, lacks perception and beliefs in what's true. Thomas in the Bible refused to believe Christ had increased, that he resided, he lacked the beliefs in that which was true, just like person eradicating the Lark. In both of Dickinson's poems, death is used to find the ultimate and last real truth, something, which to her seems vitally important.

John Keats views fatality differently in his poem "Ode to a Nightingale". While Dickinson views death in an effort to find fact, Keats fears loss of life and wishes to live on vicariously through the nightingale, who is, in his thoughts and opinions, immortal. If he cannot live as a happy nightingale, Keats remarks through the poem that he'd like to expire hearing the song of the nightingale and escaping the pain of life. Keats talks about the aches of life to the nightingale in the 3rd stanza saying:

Surrounded by the nightingale's tune, the speaker thinks that the idea of fatality seems richer than ever, and he longs to perish in the night time with no pain while the nightingale pours its soul joyfully out. If he were to die, he talks about that the nightingale would continue steadily to sing, but he would "have ears in vain" no longer have the ability to hear. Keats talks about that the nightingale was ". . . not created for loss of life. . . " but is an immortal bird and the reader can sense how he longs to be like the parrot, happy in no pain and in no concern with death.

Both poets use loss of life in various ways to cope with their own understanding, interest, fascination and concern with it. They ask the reader in to see what death methods to them and exactly how they see it should be looked at. While Emily Dickinson views fatality as a way to find the truth about something or someone, Keats see's fatality as a fearful event but also a freeing one, which releases a person from the pain and anguish of life. While they will vary in the way the use loss of life in their poems, as well as, how the view loss of life, they are both effective in conveying their thoughts and emotions about them to the audience.

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