Explication Of Seamus Heaneys Digging English Literature Essay

Seamus Heaney's "Digging" is free verse poem in regards to a man's observations and reflections of his daddy and grandfather and his devote the family traditions. The poem is typically sectioned off into nine stanzas, but from another point of view it can be sectioned off into four parts: the loudspeaker, his father, his grandfather, and then the loudspeaker again. This separation effectively illustrates that the poem forms a group and at the end of that circle lays self-discovery. There are many poetic devices used throughout the poem to effectively complete the group and fortify the theme of the poem.

The title of this poem is fitting because in the poem there are three generations of diggers. The speaker's dad and grandfather dug up potatoes and the loudspeaker is digging up days gone by. Interestingly, the word "digging" is repeated 3 x within the poem. The first stanza of the poem is approximately the speaker going to write something. This is illustrated by the pen in his hands "rest[ing]; snug as a gun. " In-line two, the words "snug as a gun" illustrate that the pen matches naturally in his hand. Also, in the simile "snug as a gun" the term "snug" if spelled backwards is "guns. " Furthermore, the comparison of the pen to a gun, at first glance, seems awkward and makes little sense. However, when going for a moment to absorb the words one could start to bring connections. A gun is a device that relies on precision to hit its goal, and the accuracy is reliant upon the operator of the gun. Similarly, the pen is looking for a good article writer to target ideas to put to paper. Rather than bullets, he shoots with words. In addition, the semicolon between rests and snug creates a short pause.

The second stanza breaks from the first and starts describing things, specifically his father, beyond the area that the loudspeaker is at. The speaker explains the sound coming from outside his windows as "a clean rasping sound" where in fact the words "clean" and "rasping" serve as an oxymoron to accurately describe the sound. In the second line of the stanza there is certainly alliteration with what "spade sinks" and "gravelly floor. " The 'gr-' sound which is repeated has a scraping shade to it which is relevant to the context of the poem. The words "rasping" and "gravelly" also provide as onomatopoeia to effectively give sound to the information. It isn't until line three of the stanza that the audience learns these sounds are from the speaker's daddy digging. The comma in this range creates a pause which gives the sense that "digging" is something his daddy is familiar with doing. Also, he both practically and figuratively "look[s] down" upon his father. This stanza ends midsentence to create a journey through time, which we figure out how to be two decades.

Stanza three picks up midsentence, right where stanza two kept off. When evaluating his father's "straining rump" in-line four, the presenter tasks a condescending build towards his daddy. The word straining also shows the reader that his father's work is backbreaking labor. In line five, the expression "arises two decades away" says the audience that the presenter has transplanted himself two decades before. The next collection is very musical. The long u of the term stooping sets the firmness for the rhythmic collection. In the following brand, the repetition of the term "digging" at the end of the stanza creates emphasis upon that action and reinforces the theme of the poem.

The fourth stanza continues on with the musically rhythmic actions from the prior stanza, but with more detail. The first range is filled with details. The process where his daddy digs is discussed step by step in great aspect. During the step-by-step description the speaker uses alliteration, "tall tops" and "buried shiny" to keep the musical move started by the end of the prior stanza. In addition, the repetitions of the words with the long 'u' sound, such as, "stooping" (from the previous stanza), "boot, " and "rooted" provide support to the musical stream. In-line four, the term "we" explains to the audience that the speaker's daddy is not alone in the potato plantation, the speaker will there be with his father. This also illustrates that a child in this time around has close relationships along with his father's work, confirming the theory a person's livelihood will continue within the family through decades. In the next stanza, the speaker's firmness towards his dad changes from that of the next; the loudspeaker now confirms himself in awe of his father. The exclamation "By God, " is evidence of this. The fifth stanza also presents the speaker's grandfather, a fantastic digger himself.

In stanza six, the information turn from being about the speaker's father to his grandfather. The first two lines provide as character development. The audience learns that the speaker's grandfather was a very effective digger and one of, if not, the best in his career. The next series shows the admiration the young speaker has for his grandfather, "Once I transported him dairy in a container, " the fact that the presenter remembers the trivial task of having his grandfather a drink shows the respect he has for him. Another few lines shine light on the grandfather's character. He has his attitude on the duty accessible and refuses to spend your time doing anything else.

In stanza seven, the loudspeaker reignites his popular use of sound. He uses the word "Nicking" which sounds like the spade entering the earth. Then, he uses the term "slicing" that includes a repeating 's' sound and sounds like the soil is being carved out by the finish of the spade. Furthermore, he throws in the term "neatly" showing that the grandfather was very methodical about his work. His use of the term "heaving" alternatively than throwing or lifting details the grandfather as being a strong person. The repetition of the word "down" shows that this is a repeated motion that the grandfather endures for a long period of energy. This stanza ends with a one phrase word, "Digging. " This places great importance on the term and the 'd' and 'g' looks make it even more visible.

The next stanza, stanza amount eight, switches gears once again. This stanza switches back to being more about the presenter than his daddy or grandfather. The use of assonance with what "cold" and "mould" The usage of alliteration proceeds with "squelch, " "slap, " "soggy, " and "curt cuts. " Addititionally there is some onomatopoeia with the words "squelch" and "slap. " In line three of the stanza the words "living origins" is a metaphor for the remembrances that remain alive within the loudspeaker. This also demonstrates he's getting back to his origins, that is, finding his personal information and gaining gratitude for his family. At the end of this stanza the loudspeaker has made a complete one hundred and eighty degree turn. He commenced by "look[ing] down" on his daddy and probably his grandfather, however now he seems unworthy and insufficient having "no spade to check out men like them. "

The final stanza is a lot the same as the first. The sole differences are the punctuation and the final line. The usage of a period in this stanza creates a straight longer pause than the semicolon found in the first stanza. The omission of the "snug as a gun" simile and in its place "I'll dig with it" implies that he no longer compares his pen to a gun, but now compares it to a spade. This shows the voyage that he has made to self-discovery. He has take great pride in in his heritage and admiration for his father and grandfather. All three uses of digging are used on his daddy or grandfather; it isn't until the final type of the poem that the presenter digs.

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