Food Imagery Using WITHIN THE Odyssey English Books Essay

In "The Odyssey" Homer extends the imagery of food beyond the original and into the symbolic representation of temptation. Traditionally, food can be used for the entertainment of friends during a celebration; banquets and feasts arise during festive times, such as in conjunction with important arrivals or departures. The prosperous members of society often use these opportunities to hold sophisticated banquettes, exhibiting their sociable status and hospitality. Many of these scenes are identified in such intricate fine detail that the stories of your feast, including the feast of Helen and Menelaus, are distributed down to the precise foods and metallic utensils. The second interpretation of food is less overt yet more prevalent in "The Odyssey, " symbolically embodying temptation. Food becomes a test-a test for the hungry, weary, and homesick men associated Odysseus. In the information of even the most basic food, food becomes a solid temptress.

The importance of good is discovered in the beginning scenes of "The Odyssey" as the narrator recalls the actions of Helios: "Children and fools, they killed and feasted on / the cattle of Lord Helios, the Sun, / and he who steps all day long through heaven / had taken from their eyes the dawn of their come back" (I. 13-15). While this story of pillaging and feasting seems hedonistic, it is very important to keep yourself updated that these will be the activities of men who have been off to war for quite some time. These cattle designated the finish of depravity. In many ways, this starting section presents food as an extravagance; however themes of feasting and gluttony are common in "The Odyssey". For many persona in the poem, such as Odysseus' men, enticement preeminently will come in the shape of bread, beef, and wine, that are tantalizing enough to distract them using their intended vacation spot.

The use of food imagery as a way of temptation is most beneficial personified by the Lotus Eaters whom Odysseus and his men encounter momentarily. The Lotus Eaters do nothing but sit and enjoy their appetites on Lotus during the day. These folks have yielded entirely to enticement and consumption, which in turn brings about these quality qualities in Odysseus' shipmates. These men are so get over with desire for these blooms that Odysseus must physically pull his men onto the ship in order to leave the island and keep on their search. In describing the temptation of the Lotus, Homer expresses "but those who ate this honeyed plant, the Lotus/ never cared to report or returning: / they longed to remain on forever, surfing on/ that local bloom, forgetful of these homeland" (IX. 100-104). For the audience, the vague and mystical description of this powerful flower seems enticing; these are left desperate to experience the delicacy for themselves. The perspective of the lotus blossom immediately places the idea of sweet fragrances in to the reader's awareness, making the idea more appealing. However, the importance of this passage is not the food itself, but rather the euphoric declare that entraps those who take in it. For the men sailing with Odysseus, this would have been a significant temptation due to the exotic nature of the island and the promises of escape that this brings, despite their noticeable lack of self-restraint.

While Odysseus' men continuously succumb to the temptations of food, their actions are always fulfilled with punishment. Although Lotus Eaters might be able to harmlessly partake in the delicacy, Odysseus's shipmates are never successful with the makes an attempt to secure food, possibly because they're being viewed by the gods. Unlike the extravagant feasts described in other moments, the men with Odysseus usually covet "common food. " Such common food includes the parmesan cheese and goat beef in Polyphemus' cave and the aforementioned feast on Helios's cattle, which led to the loss of life of a few men. Sadly, as soon as they obtain the food in the cave, which is referred to as simply "milk and whey, " the Cyclops destroys a few of the men and "[goes] on filling his abdomen / with manflesh and great gulps of whey" (IX. 321-322). In this instance, the consequence for gluttony is exacted by the quintessential glutton-a giant with an unquenchable cravings. This pattern of consequence for acts of gluttony is propagated when Odysseus uses Polyphemus' cravings for wine beverages to cause his downfall. The Cyclops succumbs to his lust for wine beverages and food, allowing Odysseus to trick and beat the gluttonous giant. Thus with gluttony comes abuse, and with the amount of resistance of enticement comes the compensation to be quick, skilled, and alert.

While the temptation of food is the constant downfall for the sailors, lavish foods must be along with a female "presenter" to be able to tempt the heroic Odysseus. For example, Odysseus covets Circe, the witch-like persona who initially tips the other sailors before tempting Odysseus: "On thrones she sitting them, and lounging chair, / while she prepared meals of cheese and barley / and amber honey mixed with Pramnian wine, / adding her own vile pinch, to make sure they are lose/ desire or considered out dear fatherland" (X. 257-261). These remarkable spices are detailed in sharp depth and although the contemporary audience probably hasn't tasted Pramnian wine beverage, the illustration than it coupled with "amber honey" provides it the looks of the tempting aphrodisiac. This imagery of your wine is important since it implies that Odysseus' widened stay, despite the protests of his team, is not because of the female or her "vile ingredient" only, but originates from the savory enticement of her wonderful food. There is the sense that succulent food inebriates the senses and robs an individual of being brilliant and quick-two qualities Odysseus embodies throughout "The Odyssey. " However, the temptation to continue you can eat the food together with Circe makes him stay. It is important to state that even after Circe frees Odysseus, the witch urges him to "remain with me at night and discuss my food and wine beverages" (X. 509) instead of simply seducing him into staying. He is not staying limited to the sex.

Women and food are also critical as Penelope longs for Odysseus. However, it looks like Penelope is merely a peripheral thing to the suitors, more of a diversion from the abundance of food they can easily ingest at her husband's house. Here, the audience finds a few of the most insatiable characters within the "The Odyssey", apart from the Lotus Eaters. These men have given-in totally to temptation and therefore they are completely idle. In proportion, the food imagery associated with the suitors is absurd as the men gave into "butchering whole carcasses for roasting" (I. 141) during daily feasts. The number of food they consume is immediately correlated and proportionate to their submission to temptation, gluttony, and sloth. When Athena involves the suitors in disguise, she (he) is offered this overindulgence. The narrator describes, "A carver lifted cuts of every roast meat to put on trenchers / prior to the two. He offered them cups of yellow metal, / and these, the steward as he proceeded to go his rounds / loaded and stuffed again" (175-178). The idea that is implied here's that there are multiple roasts and the cups are exorbitant and bottomless. In a few ways, this imagery is indicative of an utopian paradise, a location of utter hedonism. Being truly a goddess, Athena is not lured by the luxurious offers of the suitors and can go forward. The cycle of gluttony begetting consequence that is common throughout the text is continuing here. Upon his come back, Odysseus slaughters the gluttons as they performed his livestock.

Throughout "The Odyssey", food plays a prominent role in a number of displays and situations, being employed by Homer as a means to display the struggle with temptation that faces Odysseus and his men in this epic poem. While hosting large celebrations numerous quests was an intricate part of ancient Greek culture, this text applies more threatening implications to food as, aside from portion a social function through feasts, food is a representation of enticement. When this occurs at the cave of Polyphemus the punishment is instantaneous. For Odysseus himself, however, his durability and demi-god dynamics transcend such basic temptations. Yet he's susceptible to spectacular foods when coupled with a woman. Whilst having a long journey back to his family and home is a abuse for Odysseus, this seems to be relatively minor set alongside the doom of those whose punishment for his or her submission to enticement was loss of life. Whenever Telemachus and Penelope complain about their uninvited guests, they mention how the suitors slaughter the palace's livestock. Odysseus kills the suitors just as they are starting their supper, and Homer graphically represents them falling over furniture and spilling their food. Thus the theme of food as temptation which leads to punishment is completed to the finish of the written text with Odysseus' epic go back. In virtually all cases, the monsters of "The Odyssey" owe their monstrosity, at least in part, to their diets. Scylla swallows six of Odysseus's men, one for every brain. The Cyclops eats humans, but seemingly not sheep, which is gluttonous nonetheless; when he gets drunk, he vomits up wine beverage mixed with bits of individual flesh. The Laestrygonians appear like nice people, until their queen, who's referred to as "huge as a pile crag, " will try to eat Odysseus and his men (10. 124). In such cases, excessive eating signifies not just insufficient self-control, but also the total absence of humanity and civility. Food is the symbolic embodiment of the real foe of Odysseus' epic journey-temptation.

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