Hyperbole in the Importance of Being Earnest

Satire is a genre used and widely known for its comedic purposes. It entails the mocking of an individual for humorous means; however, it is often employed by authors and playwrights to display criticism of the population that the type is.

In the first take action of the play, Jack Worthing and Algernon Moncrieff own an exchange at Algernon's chiseled in Half-Moon Block about Jack's alter-ego; Earnest, who he creates to be able to "get away from" from the obligations and tasks that he is faced with because of societal targets. Through the exchange, there are many glimpses of the utilization of ironic techniques portrayed by Wilde through Jack's personality with reference to social and cultural norms when Jack areas: "I don't propose to go over modern culture. It is not the type of thing one should discuss of in private. " (Wilde, 11) This is ironic as modern culture is something to speak about and discuss, however, in the aristocratic modern culture, it is frowned after to question or disagree with the cultural norms and principles in a negative manner.

Further in to the exchange between Jack port and Algernon, Wilde also portrays irony in conditions of matrimony when Jack tells Algernon: "my dear fellow, the reality isn't quite the type of thing one says to a nice, sweet, refined young lady. What amazing ideas you have about the way to behave to a female" (Wilde, 33). Jack's views about how to take care of women symbolize the upper-class society's views as he is convinced that integrity is not considered a significant factor in associations.

Additionally, later on in the play, when Woman Bracknell is presented as an average upper-class aristocrat who have strong and arranged cultural views on matrimony as well as everyone's responsibilities in the "privileged" culture. The playwright uses hyperbole as a literary device showing the ethnic norms through her exchange with Algernon about how exactly there should be an even quantity of folks present at the dinner table when Algernon tries to decrease the offer of feasting with her, "I am hoping not Algernon, it will put my table completely away. Your uncle would need to dine upstairs. Luckily for us, he's familiar with that. " (Wilde, 19) This statement mocks the upper-class and their over-exaggerated mannerisms in a comedic manner by portraying that they change something that is very insignificant into undesirable, without the reason since they are privileged and have more electricity and control over others who are "beneath them".

Wilde further uses hyperbole when Algernon explains to Girl Bracknell that he'll be unable to attend dinner because of his invalid good friend "Mr. Bunbury". Female Bracknell replies with "Algernon, I believe it is high time that Mr. Bunbury comprised his brain whether he would live or pass away. This shilly-shallying with the question is absurd I will be much obligated if you would ask Mr. Bunbury, from me, to be kind enough not to have a relapse on Sunday, for I count on you to arrange my music for me" (Wilde, 20) The use of the term "shilly-shallying" shows how even the matter of life and death is insignificant to her. As she represents the upper-class modern culture, it implies that no matter what the problem is as long as they get what they really want, which is control. When Female Bracknell says "ask Mr. Bunbury, from me, to be kind enough not to have a relapse on Sunday, " (Wilde, 20), it mocks the upper-class in a way that shows the way they ask for more than one is able to do and have high anticipations from everyone to do something corresponding to how they need those to, which also increases the genre of satire in the play as is brings a new comedic perspective for the upper-class modern culture.

Wilde uses more of the recently explored literary approach of irony to improve satire further over the play through Works 2 and 3. When Algernon pretends to be Jack's sibling (Earnest) in the Manor House at the countryside, Algernon areas "I certainly won't leave you so long as you are in mourning. It would be most unfriendly. EASILY were in mourning you'll stay with me, Perhaps. I will think it very unkind if you didn't. " (Wilde, 59), showing how it is ironic as by the end of the play, it is disclosed that Algernon is, in simple fact, Jack's biological brother.

This happens towards the end of the play leading onto Function 3 when Gwendolen and Cecily come to understand the truth about how exactly both, Jack and Algernon have been lying to them about how precisely their brands were "Earnest". Wilde uses hyperbole as a method to show two extreme edges of the "love" and feelings towards who they thought was "Earnest". Cecily and Gwendolen also stand for the aristocrat culture, as when they find out that both of them have been wronged, they both not in favor of Algernon and Jack which ultimately shows superficiality: "My poor wounded Cecily!" (Wilde, 78) and "My poor wounded Gwendolen!" (Wilde 78) which portrays how matrimony was highly predicated on the "name" one taken in the upper-class society, alternatively than it being truly a genuine romance between two individuals.

Continuously throughout the play and towards the end, Oscar Wilde shows and unveils how he cleverly used the name "Earnest" as one with a pun onto it as it advised more than just one meaning. First of all, the actual so this means of the name which stands for seriously, truthfulness and integrity ironically does not describe Jack Worthing or Algernon Moncrieff. It is because, firstly, both of the characters come with an alter-ego to obtain their desires also to "escape" from the upper-class society's responsibilities and responsibilities. On top of that, they lie to Gwendolen and Cecily about being "Earnest" so that they have the ability to marry them. Therefore, the term "Earnest" ironically expresses the idea of false truth and phony morality as neither, Jack port nor Algernon, portray themselves to be "Earnest", as neither of them express moral prices, and only towards the end of the play does indeed Jack port realize, for the very first time in his life, "the essential Need for Being Earnest" (Wilde, 106), as it demonstrates he has finally learnt the value to be honest.

Both, irony and hyperbole are two clever literary techniques employed by Oscar Wilde in the "Need for Being Earnest" to portray his criticism towards upper-class Victorian world in a comedic manner. The play is exposed to the audience humorously, while at the same time, it expresses the contradictory and hypocritical activities of those who comply with the aristocrat population of the late 1800's which ties the play together in a satiric manner.

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