John Steinbecks Brief History The Chrysanthemums British Literature Essay

Elisa Allen is a unhappy woman who relishes growing and nourishing her chrysanthemums. Since her man is obviously working the cattle in their plantation, she never has enough attention or almost any affection. The consequence of this dispassionate matrimony leads Steinbeck to describe his main persona the following, "Her face slim and strongâHer physique looked clogged and heavy in her gardening outfit, a man's dark hat pulled lowâclod-hopper shoesâcompletely covered by a major corduroy apronâ" (Page 206-207) This overlook from her busband causes her to carefully turn to her "chrysanthemums, " which she actually is very very pleased. Her husband's remark, "I wish you'd work out in the orchard and raise some apples that big" (Page 207), shows how little his interest he has for her chrysanthemums/herself. As shown here, Elisa does not feel liked by her husband and so she manages her chrysanthemums, symbols of how beautiful she really is. Early in the story, Steinbeck uses little symbolic phrases to allow reader know that the chrysanthemums are an extension of Elisa.

Her gardening area could be described as a "cage" to protect herself from anything dangerous. Realizing that her husband does not show affinity for her chrysanthemums, gives her the thought that he does not have desire for her. The flowers and Elisa have interchangeable meanings that are described later on in the story. When her husband should go off with one of the cattle clients, a strange man over a junky wagon approaches her. Although appearance is not the best, she is thinking about him. The reason being is that he shows fascination with her chrysanthemums in order to persuade her to find something for him to fix. Again, the connection there is certainly that he was enthusiastic about her flowers, meaning herself. The man says, "Kind of a long-stemmed rose? Looks like a quick puff of coloured smoke?"â"That's it. Just what a nice way to spell it out them. " (Page 209) With this, she now seems appreciated and appealing to this stranger. His compliment to her about her flowers leads her to feel obligated to permit him to repair her pots.

In their exchange, she provided him herself for a small amount of attention. Right after the stranger leaves, she is full of self-confidence in her womanhood and would go to execute a complete makeover. "After some time she began to dress, slowly. She placed on her newest underclothing and her nicest stockings and the dress that was the icon of her prettiness. " (Page 212) With this scene in which she transforms from gardener to a model, she goes through a revelation of thoughts. Her exhilaration from the stranger's affinity for her chrysanthemums, gives her the self-confidence to increase and blossom like her flower.

When Elisa's hubby received home and saw her, he said, "Why - why, Elisa. You look so nice!" With her boost of confidence now, she says "Nice? You imagine I look nice? What do you indicate by 'nice'?" (Page 212) Elisa clearly goes on the criminal offense and wonders why she just looks "nice. " For the last critical arena of symbolism, Elisa sees her precious chrysanthemum on the ground, but without the pot it was presented with in. With anything that happened between the stranger and Elisa, this could be explained simply by expressing, "used. " She was in essence fooled into offering herself away to a person who showed some desire for her. Her rose symbolizes all of this and it is used throughout this report. The last phrase of this report is one that can have many meanings. "She turned up her overcoat collar so he could not note that she was crying weakly - as an old female. " (Page 213) Which means that she has lost her assurance and her self-esteem to keep her head high in the air. Symbols including the flower are used sporadically throughout this storyline and gives the reader many meanings on what to think the previous sentence means. This is why icons are an essential part of your great story, since it gives the reader more to think about. . . . . . . . . . . . . . . . . . . . . . . . . . . . .

John Steinbeck used a target viewpoint in "The Chrysanthemums, " with a few cases of limited omniscient point of view.

For almost all of the storyplot, Steinbeck's narration serves as a camera that perceives the happenings that are occurring and the voices that are speaking. Much like any camera, Steinbeck doesn't see what each persona is sensing or thinking. Instead, he paints a picture of the landscape and let us the audience come to their own conclusion as to what the character may be considering or feeling. For instance, when Elisa was planning the flower container for the person, "she stood up then, very straight, and her face was ashamed, " Steinbeck offers us the idea that she feels ashamed, but only as another observer. He doesn't reveal what she feels, precisely what her face reflects. When Elisa was completed with her bathtub "she stood in front of the mirror and looked at her body. " Steinbeck doesn't reveal what she's considering or thinking, as the audience I had to presume what she was pondering as she examined herself before getting dressed up.

In certain locations Steinbeck switches to another person limited omniscient viewpoint. Limited omniscient perspective is when the narrator uses a third person tone to share the reader what one identity perceives or hears. In the fourth paragraph Steinbeck tells the reader that Elisa "looked down over the yard and saw Henry, her husband, speaking with two men. " Then again when the man arrived, Steinbeck explains to us that "Elisa noticed that he was a very big man. " Since Steinbeck is narrating what Elisa observed, he'd be using a limited omniscient point of view for those sections.

The two point of views that Steinbeck used in "The Chrysanthemums impacts our knowledge of the heroes by explaining what could be seen from the exterior. Through his objective viewpoint, Steinbeck leads us to comprehend Elisa as a person who is possibly disappointed with her life. She looks contemplative, possibly pondering if life could vary. However, with a target viewpoint we have no idea exactly what she actually is thinking or sensing, or if she is actually unhappy. All we really can make sure of is her area. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The ensuing negatives of the Great Depression and nov the capitalism is well crafted through the setting, the characterization, and the storyline. One of the ways John Steinbeck, in "The Chrysanthemums, " shrewdly depicts attractive aspects of economic tensions in the Great Depression age is the use of hyperbole through the story's environment. In the setting up, for example, he foreshadows challenges a audience might be prepared to see unfold from depressing Dec weather and and the prevailing of the yellow stubble field of the Salina Valley, which symbolize the severe and unfruitful environment. People of the Salina Valley have done their work and there are forget about remaining to do except to wait for rainwater to rejuvenate the field of the Salina Valley; the rainwater symbolizes the positive changes that may turn the the current market around.

Another way the storyline acutely unfolds the economic distress or stress is through the portrayal of people, Elisa, Henry, and the journeying mender. Author presents Elisa as a solid woman would you skilled gardening, and her personas resemble a man of equal setting up. In author's explanation "Her face was eager

and adult and attractive; even her work with the scissors was over-eager, over-powerful. The

chrysanthemum stems appeared too small and possible for her energy, " she actually is someone nearly all women can not identify with themselves. However, she realizes in the end that she is "weak" and "old, " implying what she battle to better herself internally is bound by area and cultural molds. More over, the author's presentation of the going mender is someone disgraceful, yet useful of which is one capitalistic characterization. In dire need of money and to be able to gain Elisa's confidence in transacting a small business matter, the desperate and eager mender conceives a trick that plays on Elisa and leaves her hurt and discouraged in pursuing adventurous life filled up with "fun" and opportunities. Here, author exhibits his intent that people's heart and their frame of mind toward mankind under capitalistic overall economy has solidified. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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