Man And Partner Explication

"Man and Partner" is a lovely poem about love and era. Robert Lowell uses stanza form, metaphoric terminology and symbolism to point out the idea that associations get old with era and one must look at the positive things in life to point out the positivity of the partnership. The presenter uses metaphoric terminology to effect a result of a build that is both beautiful and similar to a life that Robert Lowell once resided.

The poem is split up into two stanzas. The first stanza has 22 lines, whereas the next stanza has 6. The big difference in range of lines most emphasizes the audio speakers newfound perspective the second time. When the presenter says, "Now twelve years later, you convert your back", it is clear that there is a major time change which changes the point of view of the poem significantly. Also, in the first stanza the speaker says, "Finally the trees and shrubs are renewable on Marlborough street". This also alerts another transition but not as significant as the previous the one that also warranted a fresh stanza. It is noticeable that the poet wished to split both stanzas up chronologically, adding significant focus on the historical (first) stanza. In the next section the poet addresses his better half directly. The term "Oh my Petite, / clearest of most God's animals, still all air and nerve" appears to be out of place when taken away, but within the framework it identifies the speaker's desire to let his partner know that he still admires and enjoys her even if his love is impotent and detrimental. Although she must respond the role of Mother to him, he would like to think of her as his "Petite. " Petite in this situation means small and little. Therefore, he refers to her as minimal than him. And now he recalls the night time, so not the same as this "homicidal" one which he first remembers, when he first attained her. Again the concentrate is on environment. The scene is almost the exact contrary opposed to that of Marlborough Road: it is the noisy Greenwich Town. The poet recalls his ex - do it yourself, "hand on goblet / and heart and soul in mouth, " This significant differences in both stanzas is highlighted because of Lowell's ingenious creativeness in stanza form.

Robert Lowell's use of metaphoric terminology also plays a substantial role in assisting the reader understand his true, undying love for his partner. The "rising sun" of collection 2 becomes, in the transformed head of the poet who fears passion and emotion, an Indian savage in "war color" who "dyes us red, " the pun on "dyes" intensifying the death-in-life lifestyle of the relationship that the poet frantically wants and desires. From the poet's viewpoint only inert subject receive the sun's life-giving warmness: Dionysus is the Greek God of harvest and wine beverages and also symbolizes a new life and vitality in romantic relationships. The magnolia blossoms, typically a symbol of the wonder of planting season and a brand new starting, are murderous animals that established the morning hours air burning. This new compare plays with the visitors already preconceived notions in what is a fresh from a marriage and such. And finally, the tirade of the poet's wife bombards his hearing like an sea wave breaking against a rock. This metaphor is a new contrast that we haven't seen in this poem before. Rather than turning a beautiful thing into a poor, severe one, Robert Lowell instead transforms a severe event into a beautiful, warm one. It almost gives the impression that he isn't listening to his better half as she has her "harsh tirades". He also gives the idea that this is typical of all husbands by providing the generic name, "Man and Wife".

It is also critically important to notice that the subject of the poem plays a huge role in inspecting the poem's so this means. Instead of an assumed subject like "Husband and Wife", Robert Lowell instead selects to work with "Man and Wife". He then has us ask a question such as: What's the difference between a husband and a guy? He answers this question by giving us the metaphors in the poem. By informing us that he things of the "wave breaking against a rock" rather than the severe tirades of his wife, it is clear that he is arguing man should not listen to his better half. These gender role issues seem often in his writing.

In realization, Lowell does a great job of emphasizing the idea that love can get old with get older, but by realizing the small things in life, he now could be able to realize that love that he once acquired.

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