Children have emerged as an important part of a family, as well as the embodiment of the love between two people. One can find numerous referrals to children and the assignments they play in works that review society and its problems, such as Medea by Euripides, and Six Individuals searching for an Writer by Luigi Pirandello. In literature, children are used to symbolize a great most things, but in particular they can represent innocence and purity. That is because of the fact that children have emerged as free of any sins or pollutants, because their minds do not have the capacity to fully understand evil as adults' do. Both Euripides and Pirandello use children to symbolize the contaminants of human mother nature through lack of innocence and the results it may bring.
"O your heart and soul will need to have been made of rock or metal,
You who is able to kill
With your own hand the fruit of your womb.
Of one together, I have been told, one girl alone
Of those old who laid her practical her children,
Ino, dispatched mad by heaven when the wife of Zeus
Drove her out from her home and made her wander;
And as a result of wicked shedding of blood
Of her own children she threw
Herself, poor wretch, into the sea and stepped away
Over the sea-cliff to pass away with her two children.
What horror more can be? O women's love,
So full of trouble,
How many evils have you caused already!" (41-42)
Candidate Number: 002130-005
When Medea murders her children, who will be the personification of innocence, not only has she demolished their innocence, but also metaphorically destroyed her own innocence. At the very starting of Medea, the reader is shown both Jason and Medea's transgressions: Medea's having persuaded the daughters of Pelias to commit murder on her behalf gain, and Jason's abandoning Medea and his children for another woman. This provides to bring in the warring actuality of the play, as well as Medea's barbaric tendencies, which further provide to draw focus on the children's innocence. The Nurse's comment that the children "have no thought at all of their mother's trouble" and that "it is not normal for the young to grieve" (2), instructs us that the kids are not even aware of the great evil that is closest to them. Through the entire remainder of the play, Medea gradually becomes more and more consumed by wicked, until she ruthlessly takes the lives of her own sons in order to exact her revenge on Jason. With this sense, they could be seen as the play's conscience, manipulating the audience into sympathizing with them through their innocence and at the same time be horrified with Medea's cruelty and viciousness.
"But those two children over there - have you read them speak? They can not speak, sire, not anymore! They still keep clinging if you ask me - to keep my torment alive and present. For themselves they don't really exist, don't exist any more. " (55)
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The Mother's impulsive decision to leave the daddy indirectly affected the lives of her future children, preparing in motion a series of events that would change their lives permanently. In addition, the children are required to see the mistreatment and overlook that is constantly on the rip the family aside. In the aforementioned example, Pirandello purposefully paints such an obvious picture of the children's suffering, as well as their innocence showing the consequences of probably immoral decisions. Perhaps the most important aspect of this drama is the actual fact that both the Little Young man and Woman do not utter an individual word throughout the whole play. This not only stresses their lack of innocence, but also gives an eerie quality to the play: the households' tragic past has transformed the children into ghosts that represent the sense of powerlessness and symbolize how a family is ripped apart by loss of life and misuse.
"And how happy among Greek women you earn me
On your area for all this! A distinguished husband
I have - for breaking claims. When in misery
I am cast out of the land and get into exile,
Quite without friends and alone with my children,
That is a fine pity for the new-wedded bridegroom,
For his children to wander as beggars and she who saved
him. ". (17)
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"It isn't true. [To the Director] Don't imagine it. Know why she says it? For his sake. [Pointing to the Son] His indifference tortures her, destroys her. She desires him to believe that, if she abandoned him when he was two, it was because he [the Father] compelled her to. " (17)
Jason's contribution to his children's loss of innocence is proven when he marries the little princess of Creon, and later rationalizes his irresponsible and neglectful activities to Medea by telling her that it was in the children's best interests. However, the truth is, Jason is aware that he will benefit more from this arrangement since his position in Creon's kingdom is secured. Despite his claim that it is in the children's best interests for him to marry the princess, good sense dictates that the ruler would eventually expect an heir through his own girl. Jason's matrimony to the princess prompted a grave competitive response in Medea that created a domino effect and led her to obsessively seek revenge on Jason by transforming her children into unknowing messengers of loss of life and in the end taking their lives.
In Six Character types, the daddy forcibly divides the family by acting as the manipulative force behind the Mother and Son's damaging separation and later neglecting his parental obligations. Regardless of the Mother's vulnerable mind-set and erratic action, the Father, like Jason, ultimately pursues the alternative that is most appropriate to him. His selfishness leads him to send the Child away, thus impeding the crucial development of an mental relationship between your Son and
Candidate Number: 002130-005
his parents. THE DADDY goes on his self-serving quest by making inappropriate advances toward the Step-Daughter, which he later denies. Because of this, the Step-Daughter becomes bitter and resentful, ultimately unleashing her anger and dilemma after the Young Son, who she blames for the family's descent into tragedy. Due to the Father's original decision, the Young Son is robbed of his innocence and carefree years as a child experience, and he becomes too frightened to even speak. The ensuing lack of innocence brings about the ultimate tragedy in the play, which is the Young Boy's suicide.
In Medea and Six Heroes in Search of an Publisher, the children's lack of innocence is the immediate result of their parents' unseemly tendencies. In Medea, the kids are used to illustrate how lives are destroyed due to rejected love. While in Six People, the children stand for the final final result in the deterioration of individuals nature because of the loss of innocence. Finally, the fathers' ambitions, combined with mothers' irrational replies lead to the calamitous destruction of the children.
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