In this paper we can make plot and structure analysis of a brief tale by Flannery O'Connor "Good Country People", perspective examination of "A Rose for Emily" by William Faulkner and the theme analysis of Franz Kafka "The Metamorphosis".
No subject, how wise you take into account you to ultimately be, there always are people, who are able to trick you. It could haven't any serious effects, or may cause fatality - such as it is shown in a brief storyline by Flannery O'Connor.
The plot of this history, as any other, has an exposition, difficulties, climax and denouement. In exposition we can see a number of main characters of the storyplot: Mrs. Freeman, the servant maid, Mrs. Hopewell, her mistress, and Mrs. Hopewell's child Enjoyment. The other two individuals - two daughters of Mrs. Freeman, are not introduced in the storyplot in person. We only know they are there anywhere by accounts of these mother.
Mrs. Freeman, matching to Mrs. Hopewell, was a "good country people" and "a female" whom Mrs. Hopewell "was never ashamed to take her everywhere or bring in her to anybody they could meet" (O'Connor, 1955). Her two daughters Glynese and Carramae, were, by words of Mrs. Hopewell "were two of the finest girls she recognized" (O'Connor, 1955).
Hopewell's daughter, Delight (later she transformed her name to Hulga), was thirty-two yrs. old and had a Ph. D. degree in school of thought. She was "a large blonds [sic] girl" (O'Connor, 1955), got only one knee (the other was shot off in the tragic hunting crash) and considered herself to be very smart. But her mother regarded her as only child.
Mrs. Hopewell can be easily explained in conditions of her three favorite sayings - There is nothing perfect", "That is life!" and "well, other folks have their viewpoints too" (O'Connor, 1955). Mrs. Hopewell was the sort of a female who could keep up with almost any person without issues. As her surname shows, she was hoping for everything to be well.
Complications start off, when in the house of Mrs. Hopewell appears a young man, a Bible retailer. He said his name was Manley Pointer and he was a genuine Christian. To Mrs. Hopewell he were so honest, that, though initially she was not very happy to see him, later she were required to admit that 'he bored stiff me to loss of life but he was so honest and genuine I couldn't be rude to him. He was just good country people, you know, " she said, "- just the salt of the earth" (O'Connor, 1955). The climax of the storyline is the conversation between Pointer and Hulga and they opt to meet the next day to be on a picnic. She imagine seducing the young naЇve young man, however in the denouement of this tale it was smart Hulga, who was simply fooled and left to expire in the wilderness with her unnatural leg taken by that "boy".
In the short report "A Rose for Emily" William Faulkner shows the action from various things of view. Although thoughts of the key character of the storyplot, Miss Emily Grierson, are hidden from our knowledge, we can take notice of the field from the things of view of government officers and her neighborhood friends and townsmen. That procedure makes us think, reconstructing the true picture of motives beneath miss Emily's activities.
The government representatives came up to her house to gather her credit debt for the city but were turned away by Miss Emily. From then on, they left the theory they can get anything from her in any way. After the loss of life of her father, she became a pauper instantly. From then on, she rarely remaining her house for long. The townsmen and her neighbours began to pity her, because she was so poor, lonesome and forlorn. Since it is said in the story:
The day after his death all the females ready to call at the home and provide condolence and aid, as is our custom Miss Emily attained them at the entranceway, dressed as regular and without trace of grief on her behalf face. She informed them that her dad was not deceased. She performed that for three times, with the ministers calling on her, and the doctors, trying to persuade her to let them get rid of the body. As they were going to resort to law and power, she broke down, and they buried her dad quickly. (Faulkner, 1930)
That only shows Neglect Emily was not in a stable mental condition even then. It added even more sentiments to the sensation of her friends and neighbors. Her relationship with Homer Barron, "a large, dark, ready man, with a big voice and eye lighter than his face" (Faulkner, 1930), was deemed by the onlookers as positive plus they thought that Emily and Homer would soon marry. After they came to know that Homer liked men, friends and neighbors still possessed a conviction that Emily could persuade him to marry. And so it looked, because:
We found that Miss Emily have been to the jeweler's and bought a man's toilet set in silver, with the characters H. B. on each part. Two days and nights later we found that she experienced bought a complete attire of men's clothing, including a nightshirt, and we said, "They can be wedded. (Faulkner, 1930)
And no person could guess why she experienced bought arsenic. In the long run of the storyline, when Miss Emily dies in later years, we come to learn the real destiny of Homer Barron. He was poisoned with arsenic by Neglect Emily. It isn't clear, why she did it, but judging from her mental state we can reckon that it could have took place because Emily was insane. Poor Emily
In Kafka's "Metamorphosis" there are two main themes. Both of these are linked to the partnership between Gregor Samsa and his family. The foremost is separation of a person from the rest of the society. Indeed, a man Gregor sacrifices his personal joy to the reason for paying down his parents' debts to his manager. He works hard on a dog's job of your travelling salesman, going from one hotel to another, from loneliness to loneliness. Even when at home, he closes all gates leading to his room (he says it was a "cautious behavior, acquired from his travelling" (Kafka, 1915)), we can easily see him putting as much space between himself and his family, which is ever in need of money. Money, which no person for the reason that family, except Gregor, makes. For we see no other member of the Samsa family at the job in the storyline. His sense of alienation is so deep that it transforms him into a giant bug. But, as it can be easily expected, it becomes his family besides of him even more than before. They don't really need Gregor, they want his money to live on as they are used to. When he became ill, the only concern of the family was to reduce him:
How can that be Gregor? If it were Gregor he'd have seen long ago that it's not possible for human beings to live with an pet like this and he would have eliminated of his own free will. We wouldn't have a sibling any more, then, but we're able to continue with our lives and remember him with admiration. (Kafka, 1915)
The second theme is sense of guilt. When Gregor is turned into a bug, his only thoughts are of his family: "Well, there's still some anticipation; once I've received the money along to repay my parents' debt to him - another five or six years I suppose - that's definitely what I'll do. That's when I'll make the big change" (Kafka, 1915). There is absolutely no self-pity in him, only matter for his family's wellbeing. Guilt is getting rid of him. He dies by itself and deserted, and that with regard to his family: "Then, without his happy it, his brain sank down completely, and his last breath flowed weakly from his nostrils" (Kafka, 1915). So ends the tragic history of a valuable young man called Gregor Samsa.
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