The American Wish 'The Day ON THE Locust'

The book The Day of the Locust by Nathanael West, tells the storyplot of a lot of people who came to California searching for the American Dream. They travel west hoping to move away from the less than perfect lives and follow success in Hollywood. The character types in this novel imagine a life of luxury, making lots of money, and living a good life. They eventually come to the realization that the glamorous life that California represents is not as easy to achieve as they once thought. The characters increase discontented and disappointed with their lives and bitter towards the world, which instigates the downfall of this lower degree of Hollywood world.

Nathanael West was created in New York City in 1903. His real name was Nathan Wallenstein Weinstein. Western was the to begin three children and the only real youngster. He was very close to his daddy and his youngest sister. Western world had not been that academically distinguished, he withdrew from Tufts University after only two months. Football was his enthusiasm, but he would daydream in the outfield. He was strike in the top by a travel ball and it bounced off for a homerun, he was given the nickname "Pep", which remained with him the others of his life. West graduated from Dark brown in 1924 and rewrote his first story The Wish Life of Balso Snell. He could obtain it privately printed in 1931. West's last novel was printed in 1939, reselling no more than 1, 500 copies. Western world died in 1940 while returning from a hunting trip. Since his death, his novel The Day of the Locust has sold over 250, 000 copies, his reputation has risen continuously (Hyman).

Tod Hackett can be an artist who emerged to Hollywood to learn establish and costume making. After travelling Los Angeles, Tod sees people who are "of any different type"(West 23). Tod wants to paint these people who he feels came to California to perish. Throughout the book Tod's painting, "The Using of LA", is coming to life. In the last section of the book Western world has Tod in a mob scene. Tod is painting the individuals he has met. He is painting Faye; "Faye ran happily throwing her legs high. Harry stumbled along behind her, keeping unto his precious derby hat with both of your hands" (West 201). This estimate shows Tod's view of Faye and her relationship with her dad. Tod perceives Faye as a selfish one who treats her dad with little esteem. In chapter 11, Faye hits her father to avoid him from laughing (Western 77). That landscape demonstrates Faye is more worried about herself than her dying daddy. Faye shows her selfishness when she first meets Homer and is also talking about her father's condition. Faye Greener's character represents characteristics, "the version of characteristics that is deceptive" (Sanderson).

Homer Simpson came up to California with a different goal than the other heroes in The Day of the Locust. He looks for only to relax rather than to be bothered by anybody. (88). Homer's downfall is inescapable when he commences to connect with the low degrees of Hollywood. Homer's shyness and incapability to operate for himself makes him a good target to be a sufferer of Faye's arrogant ways. Simpson's love for Faye blinds him out of this obvious truth, while she strolls all over him. Faye constantly uses Homer when she needs help and ignores him when he has problems. This vicious pattern eventually contributes to the breakdown of Homer Simpson. Whenever a young young man throws a rock and roll a Homer, he viciously unleashes all of his built up emotions of stress upon this poor boy. West describes the picture in which this occurs as a normal free for those (147). Simpson becomes another casualty of the effect that Hollywood can impose upon a person as well as the tragic and prevalently violent repercussions which happen.

The novel is set around two similar actions: Tod Hackett's and Homer Simpson's self-destructive pursuits of Faye Greener. However, it uses many other symbolic devices to suggest ideas which are difficult to hook up to Tod's and Homer's activities. Unlike Homer, Tod recognizes much of his encounters, and he's constantly observing and analyzing Hollywood life. His point of view blends with the author's, and the critical stance is usually identifiable with Tod's. Homer, on the other palm, has little understanding of the environment and of his own motives. His replies are cured as sarcasm because he is deceived by the shoddiness around him, and so he resorts to clumsy defenses. Both men follow what is man-made, shallow, and glittering, as well as the explosively intimate Faye Greener, symbolic of Hollywood's falsity and the deceptive North american dream. Partly alert to this, Tod still would like her, but he knows that he can't have her and, he is aware of that his drive is damaging and in vain.

Faye Greener is a seventeen-year-old, platinum blonde would-be Hollywood celebrity and love-making goddess. Shallow, heartless, and manipulative, she supplies the concentration of attention for the majority of the male characters. Faye's first name implies fairy lightness, and her previous name advises the green freshness of dynamics. Her true identity is a parody of these qualities. Faye possesses an adult body and plump breasts and well rounded buttocks. She often dresses child like, accentuating her teasing offer of forbidden gender to the men who check out her. She has been trained by her father to think about herself as a theatrical performer and to act with no more than artificiality. Faye is in accord with the American illusion that ambition and can are the equivalent of talent. Although she has no real behaving ability, she might not exactly really be unintelligent, for in her environment, using her brain could provide no purpose. Self-criticism would only lower her defenses against the predatory Hollywood world.

In Critical article compiled by Gloria Young, she message or calls YOUR DAY of the Locust an "apocalyptic eyesight of impending twentieth-century Holocaust". The book could be regarded as a few of a biblical aspect. Tod Hackett could fill up the role of Jeremiah (Young). Tod paints himself into his picture "The Getting rid of of Los Angeles" by jogging wildly in the torch-carrying horde. Western also uses the symbolic imagery of the New and Old Testaments to uncover the closing of a corrupt world. In another Critical essay the novel is named a "realistic novel about an unreal city" (Nadel).

The Day of the Locust does not look at the good stuff about Hollywood, it looks at the part that no person needs to see or package with. The book shows all the challenges and hardships that come with endeavoring to make it the movie or performing business. The book focuses on the despairs of the out-of-work stars trying to produce a name for themselves in Hollywood. The character types in YOUR DAY of the Locust feel that they are swindled out of the perfect aspiration life. Subsequently all of them chooses to live on a false life. West's Hollywood comprises of retrogression and brothels, of failing and libido, of cock-fighting and third rate boarding residences.

This book is difficult to interpret because it utilizes various methods to convey its themes or templates, which are not always evidently interrelated. The book sags in a few parts but picks back up at the cockfight which is superb for the rest of the story. The intimate frustrations that continue between Tod and Faye, he wants to get her in his bed, but she will not want him. There is also another man that was obsessed with Faye, which was Homer Simpson. West wanted to notify the storyplot this way, since it was a tale from his life (a few of it anyhow). The storyline could be a take a look at what we must look forward to in the future. YOUR DAY of the Locust is in one way or another, a look at the Depression of the 1930's.

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