The Blind Man Leads Research English Literature Essay

A simple human defect can shun and bring light to a person changing everything they view in life. INSIDE THE Cathedral by Raymond Carver, the wife invites a friend to stay, after the friend's wife possessed recently died. The narrator is upset that his wife's friend, a blind man, is coming to stay with them because his wife is very keen on this blind man.

It is clear that the narrator also posesses stereo system type for blind people, after watching his better half help the man he sarcastically declares, 'This blind man, feature this, he was putting on a complete beard! A beard over a blind man' (Carver, 59)! Once they were situated inside he makes another mental comment 'But he did not use a cane and he didn't wear dark spectacles. I'd always thought dark eyeglasses were a must for the blind' (Carver, 60). As the storyplot progresses, the narrator continues learning more about Robert and that he's not the stereo-typed blind man he previously thought of in the very beginning of the story. The narrators attitude change first becomes visible at meal, 'I viewed with admiration as he used his blade and fork on the beef' (Carver, 61). Also displaying the positive mental change the narrator was beginning, making him the protagonist in the storyplot. After dinner was finished they all sat right down to watch Television, the wife asks if he has a Television set, the blind man replied to the better half, 'My dear, I have two TVs. I've a color place and a black-and-white thing, an old relic. It's funny easily turn on it, and I'm always turning it on, I change the color arranged on. It's funny not think' (Carver, 61)? 'I didn't really know what to say to that' (Carver, 61) the narrator believes after he completed talking, again displaying how his stereo type of a blind man had been torn apart.

They had paid attention to the elements and a sports activities program, the narrator gets up to improve the channel. By this time around the wife got dropped asleep on the sofa and the two men get started their own bonding. The narrator offers to use the man up to foundation, 'No, I'll stay up with you bub. If that's fine. I'll stay up until you're prepared to submit. We haven't possessed a chance to discuss' (Carver, 63). The narrator pleasantly responds, 'That's all right'I'm glad for the company' (Carver, 63). The feeling towards the blind man commences to shift at this point. The blind man and the narrator sit alone for quite a while listening to the TV program. He observed the blind man, almost as if he was learning him, 'He was leaning frontward with his brain turned to me, his right ear canal aimed in direction of the collection. Very disconcerting. Occasionally his eyelids drooped and then they snapped wide open again. Now and then he put his hands into his beard and tugged, like he was thinking about something he was reading on the tv' (Carver, 64).

'I waited as long as I could. Then I felt I put to say something. . . They're demonstrating the outside of this cathedral now. Gargoyles. Little statues carved to appear to be monsters. Now I assume these are in Italy. Yeah, they're in Italy. There's painting on the wall space of the one church' (Carver, 64) so he starts narrating what's on. 'Something has happened to me. Have you got any idea just what a cathedral is? What they look like, that is' (Carver, 65)? Robert briefly tells him of what he considers the cathedral appears like, but doesn't have a lot of a idea, 'But perhaps you could make an effort to describe one to me' (Carver, 65)? The narrator attempts to spell it out what they appear to be and without success. Robert then suggests that they could draw one together. The narrator then would go to gather the items they needed. 'He found my hand, the hand with the pen. He shut his hand over mine' (Carver, 66) and they begin to draw. The narrator is sketching the cathedral as Robert contains onto his hands and then can follow and feel what it appears like. 'Never thought anything like this can happen in your lifetime, have you, bub' (Carver, 66) Robert says to him. Robert then has him close his sight and he does so without cheating or peaking, he shows trust for the blind man. He makes a silent comment, 'It was like little or nothing else in my life up to now' (Carver, 67) he has been handled by Robert and it is a profound second for the narrator as he had never expected the night to move this way. They continue drawing and sketching, Robert stimulating him to keep going. Robert finally asks him to open his sight and take a peek, 'But I had fashioned my eyes shut down. I decided to keep them that way for a little longer. I thought it was something I must do' (Carver, 67). He's so caught up in what appears to him a valuable point in time as he savors it. Robert asking him again if he was looking, 'My sight were still shut down. I was in my house. I realized that. But I didn't feel like I got inside anything' (Carver, 67). The narrator breaks free of his stereo system typed ways and his sight are exposed.

Robert brings forth a big change in the wife's spouse from a straightforward night of watching tv. The narrator becomes aware of how blinded he was and Roberts's activities change him forever. Raymond Carver illustrates how one man can make a great difference in another's life even though the individual who seems more in a position and aware can be the one most blinded.

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