The Duality Of Connie British Literature Essay

"Where HAVE YOU BEEN Going, Where ARE YOU?" by Joyce Carol Oates gives us an example of Realism and the problems of duality that face us as we transition from the world of young ones into the adult world. It is a 'coming-of-age' story that shows both sides of a woman known as Connie, whose views are feelings are shaped by her family experiences and the population around her. This triggers her personality to literally be split into two.

In "Where Are You Going, Where Have You Been?" Joyce Carol Oates demonstrates as we expand the make-up of our personality is established by outside conditions. This is apparent in the inner issues of Connie, the central figure of the storyplot. She actually is a fifteen-year-old lady who shows the confused and often superficial habit that is typical of any teenage female as she encounters the complicated changes into womanhood. Connie is preoccupied with her looks, music, and kids. She takes on numerous roles and is uncertain as to which is the real her, "Everything about her had two edges to it, one for home and one for anywhere that was not home" (482). She's an unstable relationship with her family, which is the main cause for her identity turmoil. She acts as if she were an innocent child that is not concerned with things such as the opposite intimacy while aware of her family. However, once she is released into "real life" she searches carelessly with her friends for male attention, making herself a prepared victim to males. Connie's duality can plainly be seen in the manner she dresses depending on role she assumes. "She wore a pull-over jersey blouse that viewed the best way when she was at home and other ways when she was abroad" (482). Connie is convinced in day-dream love numerous different children "sweet, gentle, just how it was in movies and guaranteed in sounds" (484). None of them of the males stand out as special to her "all the boys fell back and dissolved into an individual face, not even a face, but an idea" (483). She is still searching for her identity beyond that of her looks, "She realized she was quite which was everything" (481).

Arnold Friend, initially, is "a youngster with shaggy, black scalp, in a convertible jalopy decorated silver"(483). He changes his appearance to sketch Connie to him by seaming more radiant than he actually is. He makes himself into the idea that she keeps in her brain. He manipulates Connie by using casual conversation in an effort to gain emotional control of her. Arnold is fully alert to Connie's hypersensitive and na‡ve dynamics at this time in her young life. He uses words such as "love" and guarantees her his esteem and devotion in his try to make her willingly leave with him. Arnold offers Connie what she has required and craved for the most, to feel lovely and desired by someone. Arnold can offer her something her parents havent been able to. He provides her the possibility to break out of the world she feels trapped in turn finally be able to define who she is. Arnold Friend does not have any real true personal information but he creates one for Connie's gain as a youthful lover there on her behalf. This is exactly what she often longs for through the lyrics in the music she listens to. His clothes, car, tastes in music, and way that he talks reflect the current teenager. He attracts the mental health and social dilemma that is such a difficult period in Connie's life right now.

Connie desires to be free from the ties that define her romantic relationships with her family. She would like to rebel just for the sake of rebelling. She is too young to fully understand everything taking place around her, mainly the fact that it's in her best interest to stay away from random bad guys whom she is aware nothing at all about. Arnold Good friend is a bad boy who would like her and appears to be obsessed with her. Even though Connie may love the thought of the adventure, she senses that being with Arnold will put her in peril. When she rejects his invitations, he threatens her safe practices and her family's protection as well. Connie may maintain resentment towards her family, but it is her relationship with them that in the long run pushes her to leave with Arnold somewhat than see them harmed. Connie's thoughts before going out of were "I'm not heading to see my mother again" "I'm not sleeping in my bed again" (492). Connie finally surrenders to Arnold who's awaiting her with available arms. The storyline ends with Connie giving her forward porch and her ultimate fate is left anonymous.

"Where Are You Going, Where Have you Been?" shows the primary character, Connie, going into a fresh uncertain future. She develops throughout the story from a shallow and absentminded teenage lady into a rational girl. The first area of the story deals with Connie's life as a young and careless teenager. Her attitudes and behavior towards her family as well as her tendencies around her friends are quality of a kid flirting with the problems of the mature world. The encounter with Arnold Good friend causes her to grow up quickly, take responsibility for her situation that has resulted from her past activities, and face the mean and difficult reality of life.

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