The Old Man And THE OCEAN English Literature Essay

In modern culture, everyday there are people who strive, sweat, and bleed in order to accomplish certain shallow ambitions in life to be able to acquire acceptance therefore of achievement and avoid humiliation credited to inability. Then, there are others who won't demean themselves by not matching their point of view of accomplishment to the perspective of achievement establish by the shallow standards of society. In the long run, an individual has the power to determine his own method of self-satisfaction. Also, one can agree that with goals comes difficulties, and one of the very most challenging parts of life is the spontaneity that dominates every day. In the story, Santiago is a fisherman facing the best battle between certainty and his life's passion. Despite what population thinks of the old man, he discovers the distinctive difference to do what he needs to do and doing what he needs to do. Furthermore, he grasps the knowing that there is not always a definite distinction between attainment and failure. However, sometimes the effort put behind the task is exactly what truly prizes gratification. Analyzing Ernest Hemingway's The Old Man and the ocean, the audience realizes through symbolism, imagery, and irony that whenever interacting with difficult difficulties in life, Santiago must have pride and willpower in order to obtain self-satisfaction and a feeling of achievements.

Noticing the agonizing obstructions that the old man must experience, the audience can conclude that Santiago symbolizes Christ because they parallel one another since both suffer strong aguish. For example, Santiago's struggle with the fish with his "calloused [hands]" (Hemingway 83) that are slice from the "line [sliding] in to the palm" (Hemingway 83) is comparable to the pain endured by Christ when he's nailed to the cross. Like Christ, Santiago demonstrates that a deserving task can be blended with "doubt and the 'inseparability of fighting and Sophistication (Hamilton 141)'" (Waggoner 88). Also, Santiago must offer with wicked when it presents itself. In an attempt to annihilate Santiago's willpower for achievements, sharks appear and violently meddle with the intensified situation (Hemingway 100), symbolizing the historic battle between good and bad. However, even although sharks eat the marlin, the Christ form of pondering shines through the difficult situation (Waggoner 88). Rather than manifesting scorn towards the brutal sea creatures, Santiago "recognizes the 'rightness' of occasions [and] will not cry for loss" (Waggoner 99). Additionally, in a religious sense, "spiritual satisfaction [is] inevitably bestowed" (Waldmeir 161) upon Santiago because his belief that the sharks take action on a natural sense mirrors Christ's forgiveness of the individuals during his crucifixion. Overall, Santiago is the ultimate Christ image as he battles in water and later to his hut. As he extends to his vacation spot, he is placed on the foundation "along with his arms out upright and the palms of his hands up" (Hemingway 122), which is symbolic to Christ "struggling the hill" (Pratt 91) carrying out his life's responsibility with a future to be nailed along with his arms stretched on the mix. With this symbolism is the connotative lesson that determination can lead to agonizing pain followed by everlasting virtue.

By focusing on the descriptive imagery in the storyline, the reader is able to unveil the lesson exhibited by Santiago of how possessing self-admiration can lead to fulfillment. Through detailed descriptions, the audience is able to imagine the wrinkled old man with "brown blotches of the benevolent epidermis cancers" (Hemingway 9) out at sea, fighting an enormous marlin with a "sword as long as a baseball bat" (Hemingway 62). Picturing the consequences of Santiago's great try to overcome problems helps illustrate the "determinative triumph [against] the sea's adversial causes" (Eddins 71). Evidently, Santiago has embarked on a challenging task but "through the agonyand isolated individualism" (Burhans 447), he demonstrates that "a man can be demolished however, not defeated" (Hemingway 103). For instance, in addition to fighting with each other with a fish that is so "unbelievably heavy" (Hemingway 43) and can not leave, the "cramping down his forearm" (Hemingway 103), which really is a result of strain and old age, brings more misery to the unfavorable contention. Also, when the surge from the fish pulls him down, Santiago slices below his vision triggering the "blood [to run] down his cheek" (Hemingway 52). At this point, the reader is completely aware of the old man's satisfaction and not even the "wrenching pain of life" (Cain 122) can make him relinquish this battle because under all of these circumstances, "the strength of his spirit and determination support[s] him" (Eddins 70). However, the only souvenir that the old man brings again besides his pain is the skeleton that actions eighteen ft from the tip of the nasal area to the end of the tail (Hemingway 122). After one focuses on the imagery of the battle in the ocean, it seems sensible to think that the old man didn't keep coming back with much after all that he has experienced. To prove normally, William E. Cain claims that Santiago is filled with willpower and resilience making this a suitable quest (116). Sometimes in life, the vividness of anguish is not enough to keep one from accomplishing an objective.

Analyzing the extreme have difficulty between Santiago and the marlin, the audience notices the irony existing among the old man and nature. Examining the occasions of despair and pain that Santiago endures, somewhat than becoming completely infuriated, he fells a sense of love and humility for an "indifferent universe which [tries to beat] him" (Burhans, Jr. 447). For example, learning that the seafood will not perish easily, the old man manifests value instead of rage as he says "I really like and respect you quite definitely" (Hemingway 54). Also, by seeking not to jerk the series because it can "widen the slice the hook makes" (Hemingway 54) uncovers further implications of the sympathy that Santiago feels for the marlin. Corresponding to Clinton S. Burhans, Jr. , what motivates the old man to continue with the ultimate fisherman's strife is the "deepest love for the creature" (448), who's also his brother because through nature's eyes, they may be "bound alongside one another in [this] primal marriage" (448). Identifying with the fish as his brother reveals a newer and deeper connection has progressed, and associated with the creature in that sympathetic sense also creates a grand location for tragedy (Cain 121). Capturing and getting rid of this marlin should have a rewarding challenge without sentimental strings attached. Matching to William E. Cain, clearly, this objective does not previous because the getting rid of of the seafood is heartbreaking for Santiago making him feel damaged because he not only requires life, but he "[activities] what it is similar to to expire" (122). Ironically, when the seafood finally dies, Santiago is not flooded with joy because his heart and soul is sinking over the fact that he has "killed this fish which is [his] sibling" (Hemingway 95). Also, "catching the fish is ironically decrease" (Halliday 70) because the ravaging sharks enjoy "ripping on the big fish" (Hemingway 102). Living on "isolated individualism and pleasure" (Burhans, Jr. 452), the old man is subject to a few great occurrences in life. Now the main one trophy that can happily display his worldly initiatives is completely selected apart. Physically, he has not only ruined himself, but he also pulled the life out of the fish. What Clinton S. Burhans, Jr. mentions in his article is that situational irony expresses that even though Santiago will go against the chances to execute something amazing and memorable, he brings assault and damage on himself and the fantastic marlin (453). Overall, you can concur that irony is a substantial element because it helps concentrate on Santiago's diligence and endurance through the continuation of his strife with mother nature.

With the key concentrate of Ernest Hemingway's The Old Man and the Sea being self-satisfaction being eventually determined by effort and resilience, true and total fulfillment is available only within the do it yourself. After witnessing what the indegent old man has gone through because angling and the ocean is his interest, the audience can ponder if this epic experience is completely reasonable. Sometimes life can throw some overbearing and non-understandable obstructions that folks are forced to deal with in order to keep on living. Luckily for us, many of these challenges can establish an individual. In some occasions, reality is not always what people want to buy to be. Nothing really makes since nowadays, and maybe this is the complete notion of moving into this whirlpool because no really recognizes where they will end up. A person can get back with the prize-winning capture or with simply a memorable experience to recite. There are lots of lessons to be discovered in the story. Obviously, you need to never quit his true passions and goals in life even if the dreams that are yearning to be reached appear so astronomically unreachable. Another is to make the best in times. This does not mean to conform to something that will go against certain ideas, but to be true to the ultimate decision in any given situation. Of course, world can be cruel and unsympathetic at times, but whenever confronted with adversity, one should find a way to learn on.

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