'The Rules IN THE Game' Research

Amy Tan starts her history "THE GUIDELINES of the overall game" with an "exemplory case of old world wisdom" (Biagiarelli 7-8): " Good guy, he not not in favor of wind. In Chinese we say, Come from South, blow with wind-poom!-North will observe. Strongest wind can't be seen " preaches Waverly Jongs mom to her little girl (Tan, Amy. "Rules. . . " 262). This sort of wisdom appears to be a motif in her story. In-fact, there are a variety of motifs in this storyline, and one of these is the suggestions of herself and her history. Amy Tan, who was delivered in Oakland, California in the first 1950s, was affected by Chinese language culture created to her through her immigrant mom (Biagiarelli 7). In Amy Tans brief report, "Rules of the Games", The writers introspective style comes across as the Chinese heritage that seems to recur and may be a reflection of her own past.

Speaking about her recent, Amy Ruth Tan was born ". . . in the predominantly white neighbor-hood of Oakland, California. . . " on Feb 19th, 1952 (Adams 1). Her parents, John and Daisy Tan, were both immigrants from China. Daisy was committed and experienced 3 children in China before she was compelled to leave because of "the communists seizing control"(Biagiarelli 7) of her country. She left China and arrived to America where she met John Tan. John worked well for the United States Information Service before immigrating to America. When Amy was only fourteen, she endured a horrible tragedy: her dad and sibling both died of brain tumors (Biagiarelli 7).

After this, Amy and her mother moved to Montreux, Switzerland where she graduated senior high school in 1969. Then, she went to Linfield School where she met her husband; Lou DeMattei. She went to four other universities, and graduated with a B. A. in English and Linguistics from San Jose University. Because of her parents history, she inputs a great deal of Chinese language culture into her works, like "Rules of the Game" (Biagiarelli 7).

Amy tan can be an writer of several award-winning catalogs and short reports, and some of her more well-know catalogs include Joy Fortune Club (which the short tale "Rules of the overall game" is aside of) and Reverse of Fate (Tan, Amy. "Just. . . ). Before learning to be a fiction copy writer, Tan was a "language development expert for developmentally disabled children and a freelance business copy writer for most communication and computer companies" (Biagiarelli 7).

The main identity, or the individual that is sharing with the story, is named Meimei; her real name is Waverly Jong. She is a young Chinese female who lives in the chinatown of SAN FRANCISCO BAY AREA with her family (like Amy Tan) and actually is very good at chess. Her mom, a Chinese language immigrant, spoke cracked British but was still able to serve as a mom amount for Meimei. She learns to experiment with chess from her brother and some older chess players near a playground. She becomes very good and competes in many tournaments, but soon it develops out of hand. Her mother commences to brag and showcase Meimei, and Meimei doesn't like this. The story ends with Meimei contemplating her next move against her mom, and plots it out like a chess panel. She thought she was caught, so she jumps out her window (Tan, Amy. "Rules. . . " 262-272).

I think the writers theme is to use ones skills with righteousness and responsibility. This theme is taken up to an extreme in this history by the suicidal death of Meimei. It appears that Mrs. Jong (Mom of Meimei) hasn't showcased Meimei's abilities with righteousness and responsibility, and in this case, there is an extreme consequence. Even though Tan's way to getting her meaning across ended up in suicide, she made her point. Besides this, there is a big connection between the Tan's life and this story. This storyline takes place in the same place and around the time of her child years. Also, Meimei was round the same era of Tan at that time.

Amy Tan's syntax in her short story "Guidelines of the overall game" isn't that complex, but some of her character's syntax is interesting. She uses busted English to emphasize the Chinese language culture and the precise area of SAN FRANCISCO BAY AREA that this history takes place in. Take this estimate, for example, that is said by Meimei's mother in Tan's story, "'Every time people come out from overseas country, must know rules. You not know, judge say, Too bad, return back. They not letting you know why and that means you may use their way move forward. ' (Tan, Amy. "Rules. . . " 266)"

Also, Tan's diction is readable rather than that complicated. The words are easy-to-understand and she appears to be able to get her point across quite easily. An example is, "I found out about all the whys later. I read the rules and looked up all the best words in a dictionary. I borrowed books from the Chinatown library. I examined each chess piece, trying to soak up the power each included" (Tan, Amy. "Rules. . . " 266).

Tan uses imagery to create a scene inside Meimei's head when she plays chess. Its kinda like another little universe being created inside her head. In ways, Tan makes the reader become part of Meimei's brain. One can feel the sentiment pouring out of her and can peer inside her brain easily. She also uses imagery to spell it out the place where Meimei lives and her community. Most of what Tan describes is easily obvious (virtually).

The literary analysts and other criticism options rate Tan highly. They seem to be to like her style and topics in her testimonies. One says that she "sees the writer as 'storyteller, educator, and enchanter. ' And she feels the reason we read and write is 'to feel more deeply, to see more obviously, to really know what questions to ask, and to formulate what we should consider. ' ("Amy Tan 'The. . . " 3)" She or he also says "even though the primary characters in all three of her novels are Chinese language or Chinese-American, she considers her writing as having bigger concerns, 'What my literature are about is associations and family. I've acquired women come up to me and say they've thought the same manner about their mothers, and they weren't immigrants' "("Amy Tan 'The. . . " 3).

In final result, Amy Tan is a superb writer who contained her own past, heritage, and life experience into her reviews. She has written many successful tales and books, most of which contains some kind of Chinese language culture or milieu. Amy Tan, who was simply delivered in Oakland, California in the first 1950's, was influenced by Chinese culture unveiled to her through her immigrant mom. In Amy Tan's brief account, "Rules of the Games", The author's introspective styles comes across as the Chinese heritage that seems to recur and may be reflecting of her own recent. This may all be summed up with one great offer said by Amy Tan herself, "IN THE US no one says you have to keep the circumstances somebody else provides you" (BrainyQuote 2).

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