The Tragic Vulnerability Of Othello British Literature Essay

A tragic flaw is thought as a flaw in the type of the protagonist of an tragedy that brings sorrow or death to the protagonist. Throughout record, we've seen key types of tragic heroes such as Dr Faustus, Oedipus and Richard III. Shakespeare in particular has appeared to find the way to epitomise what a tragic hero is as Othello is the perfect example of man's tragic vulnerability of love for another. If we respect Othello as a true tragic hero however, the results of the play is not his mistake because he's simply fated to suffer from. If we check out Othello much less a tragic hero, but, as a human, although he murders his wife, he is not to blame because he's influenced seriously by the manipulative Iago and Roderigo, therefore, Othello's downfall had not been a rsulting consequence his own activities but credited to circumstances beyond his control.

The characteristics of your tragic hero are explained by Aristotle who claims that there are four things which need to occur for a figure to certainly be a tragic hero. Firstly, there is certainly peripateia, this is a full fall from sophistication to misery; the second is hamartia which is a fatal or tragic flaw in the hero; anagnorisis, which is the recognition of the hero's flaws and faults, and lastly catharsis, which is when stress is finally released and the audience feels no negative thoughts into the hero. There are two critics specifically who debate whether or not Othello can be viewed as a tragic hero. The to begin these critics is usually a. C. Bradley who thinks that Othello is one of the greatest tragic heroes ever. The second reason is F. R Leavis who thinks that Othello doesn't qualify for true hero position. However, both Bradley and Leavis agree that Othello doesn't reach a state of peripateia but for different reasons. Bradley expresses that "The Othello of the fourth action is Othello during his downfall. His land is never complete but his grandeur remains undiminished. " This shows us that Bradley is convinced that Othello's downfall is never truly complete, but, he keeps his nobility and honour. We also know that Othello was extracted from Royal blood to become a slave. Surely that is clearly a greater semester from sophistication? Leavis argues that Othello is merely alert to his nobility and for that reason lacks the real requirements of the commendable hero. "He has discovered his fault but there is absolutely no tragic self-discovery" Bradley appears to have the better point in this situation; Othello doesn't put up with a street to redemption from grace by the end of the play and his reputation remains almost intact so that it does not meet the criteria of a tragic hero, thus, and therefore Othello isn't fated to are affected because he isn't a tragic hero.

It is incredibly easy to suggest that Othello's downfall is that of his own doing. First and foremost; he is not really a tragic hero and therefore he control buttons his own fate. Much like other protagonists in other tragedies, his own activities lead to his eventual downfall. Much like the figure of Dr Faustus, Faustus commits his own problems and it is his hamartia that brings about his street to redemption and eventual loss of life. Othello's hamartia is his jealousy. However, despite having this hamartia throughout the play we see numerous cases of individuals in Othello such as Roderigo and Iago influencing Othello to make the errors that he does. We visit a number of cases of the two people whispering in Othello's hearing to be able to stir raw jealousy within him as they are aware that it is his weakness; by exploiting it, this will lead to his demise. We learn throughout the play that Iago is wanting to cause Othello's land from grace therefore trick him into believing that Desdemona is having an affair. Although ultimately yes, Othello does give into his hamartia, he cannot be blamed because were it not for the influence of Iago and Roderigo, he'd have never murdered his partner. Therefore, Othello's downfall is a consequence of the actions of these around him.

Iago is a type of figure known as a "machiaval", a character that calls for the teachings of the philosopher Machiavelli to the nth level. Iago can be considered a realtor of fate, delivered to doom Othello. If we take this stance, it is obvious that Othello's downfall was a rsulting consequence the occurrences out of his control. Iago's entire scheme starts when the "ignorant, ill-suited" Cassio is given the position that he wishes. Iago feels as if it is he who deserves that position and is in turn, consumed with jealousy. Iago shows true acts of amorality throughout the play. As he deceives, steals and murders to gain that position. Iago's amorality is evident throughout the whole play and it is demonstrated repeatedly. One of the first cases of this is where Iago himself expresses to Roderigo "I follow him to serve my turn upon him. " This shows us that simply, Iago will not respect nor will he look after Othello immediately showing us his villainy. In nearly every scene in which Iago speaks, we realize that deception exists. In the beginning arena for example, Iago shows characteristics that will show his pivotal role in the tragedy of Othello. Iago proudly offers that "I am not what I am. " Although at time of speaking, this was simply to convince Roderigo that Iago simply feigns alliance to Othello, the deeper implication of those words soon become evident to us as an audience. Iago methods deceit whenever it is required. When Othello involves Iago suspecting the betrayal of Desdemona, Iago does little but fuel the flames of mistrust

"Iago: Nay, this was but his dream.

Othello: But this denoted a foregone conclusion.

Iago: 'Tis a shrewd hesitation, though it be but a desire,

And this may help to thicken other proofs,

That do demonstrate thinly. "

In this example, Othello is convinced that Cassio has been having lustful longs for his better half Desdemona. Othello believes that this is merely a matter of your energy ("formality") exhibiting us that Iago's manipulation of Othello has worked successfully. This shows us that Iago is merely planting doubts and jealousy in Othello's brain. Iago's villainy is only proven further when again, Iago does little but place the concerns in Othello's mind that his cherished Desdemona is being unfaithful

"Iago: O, beware, my lord, of jealousy;

It is the green-ey'd monster, which doth mock

The meats it feeds on

Who dotes, yet concerns, suspects, yet strongly loves!"

Iago's basic idea would be that the fortunate man knows his wife his cheating; the unfortunate man only suspects and is therefore caught between love and trust. Here again, Iago is very evidently exploiting Othello's hamartia. Iago is 100 % pure and amoral. He has no problem about deceiving those near him and deceiving for his own personal gain. It is clear also that Iago is jealous of Othello. He seems to believe because Othello is black, he doesn't have earned his devote the Venetian army; in simple fact, he repeatedly identifies Othello as "moor". This advises a fixation on the actual fact that Othello is dark-colored. Because of this, Iago is convinced he shouldn't maintain his high position within the army. Originally, Iago's repeated descriptions of Othello lead us to create a dislike towards him as a figure. In one example, Othello is referred to as "lascivious" leading us as visitors to relate lustful and lecherous connotations with Othello. We believe that he has in a way used Desdemona by make. Othello is also referred to as an "old, black, rutting memory" again lead us as visitors to form erotic and territorial connotations of Othello. The use of rather violent words leads the reader to think that Othello himself is violent. However, we soon understand that Iago isn't in reality "honest Iago" as Othello feels him to be. Iago can be used by Shakespeare as a vehicle for the story, he is needed to further the events and lead the play to the outcome it gets to. Were it not for Iago, the question and jealousy wouldn't normally have been devote Othello's mind, he'd never have given into his jealousy had Iago not regularly manipulated and lied, the play would not have reached the same end result. The actual fact that Iago is so prominently and naturally deceiving those around him shows to the audience that Othello's downfall was not a consequence of his own actions, but a consequence of the occasions around him.

In conclusion, it isn't Othello's own mistake that he suffers a downfall, it is the actions of individuals and the events around him that cause the play to proceed the way it does. However, I believe that Othello is the perfect exemplory case of man's tragic vulnerability because through love of another by means of his partner Desdemona, he suffered the fate of having to have with the guilt that he murdered his partner because of a lie leading to Othello's eventual death. Othello's death is the tragic consequence of one man's love for his partner. It is Iago's fault that the play leads to the way it does because of his manipulation of events and people therefore they can be held in charge of Othello's semester from Elegance. Othello is the perfect example of man's tragic vulnerability which is the situations around him that cause his downfall.

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