Toni Morrison Post Colonial Feminism

Keywords: toni morrison research, toni morrison feminist

The writer is of the view that third influx feminism which include dark-colored feminism is a speaking back again to the white Westerns. The DARK-COLORED writers by writing back to the ideologies placed by the colonizers have well in their works of fiction.

Toni Morrison, an African American novelist in her novels did an excellent job of writing back. The present writer defined first of all the ideas of culture and imperialism discussing the conceopt of Edward Said, Homi K. Bhabha and many other intellectuals who strove hard to produce wonderful works of criticism where they pointed out the ideologies structured by the Western. Gayatri Spivik's 'Subaltern's analysis' is also mentioned. and put on Morrison's decided on works of books.

The author directed a few a key point of postcolonial feminism and attempted to show them in Toni Morrison's books in order to prove his agenda that Morrison is an extremely a leading shape whose works show Feminist Postcolonial Methodology.

Fore Word -A Writing again by an Afrcian child

I want to begin my paper with a poem which was compiled by an African child, and was nominated for the Best Poem of 2008. The subject of the poem is "Color" which is a "speak back again" attitude to the white

When I given birth to, I black;

When I grow up, I charcoal;

When I use sun, I charcoal;

When I frightened, I black colored;

When I sick, I black color;

And after i die, I black color;

And you white fellows;

When you blessed, you pink,

When you develop up, you white,

When you go in sun, you red,

When you chilly, you blue;

When you terrified, you yellow;

When you tired, you inexperienced;

When you die, you grey;

And you call me coloured.

Chapter One: Introduction

The present paper is an evaluation of colonialism, imperialism, feminism, and postcolonial feminism. Postcolonial feminism is also known as as UNDER-DEVELOPED Feminism or Black Feminism. The author to begin with explains the thought of colonialism based on the Teacher Edward Said that he discussed in his work Colonialism and Imperialism where Said defines the colonialism and imperialism. Said gives at length the ideology of the West how they set up the binaries oppositions and gave the idea of Orientalism by suggesting the thought of educating the others. Homi K. Bhabha provides idea of hybridity and Gayatari Spivik 's famous work of 'Subaltern can speak' are discussed in the following research newspaper.

The author also explained the main element tips of postcolonial feminism in this paper and then with the guide of different writers discussed Toni Morrison's novels in the light of the salient top features of postcolonial feminism.

First of all the author analyzed Toni Morrison's novel The Bluest Sight and proved the elements of postcolonial feminism contest, gender, and personality in this book. The writer is of the view that Pecola's wish to have Blue eyes is an get away from from racism and also to get rid of all ugliness not only from her community but from all the entire world.

The next book that is analyzed is Sula in which again the writer tried showing the salient top features of postcolonial feminism that is to speak again or showing the importance of female people in the form of Sula and other feminine characters. The writer from the original text demonstrated that the white folk in fact helped bring all the blackness.

The third book which is discussed with regards to the postcolonial feminism is The Beloved, in which the key idea of postcolonial feminism is discussed is mother-daughter romance and idea of mothering which is discussed with the guide of Morrison's theory of Mothering taken from her interviews is talked about.

Finally the author concludes the newspaper where he offers his finding about Toni Morrison and her novels that her works are true consultant of postcolonial feminism.

Chapter Two: Colonialism and Postcolonial Explained

PROFESSOR SAID says that his aim is to set works of art of the imperialist and post-colonial eras to their historical framework. "My method is to target whenever you can on individual works, to learn them first as great products of the creative and interpretive creativity, and then showing them within the romance between culture and empire. "(Said, 22)

If we take notice of the basic theory behind the postcolonial feminism we will come to the idea that this theory itself is recognized by the theories of psychoanalysis, Marxist-feminism and post-colonialism. With this paper I will track out the Feminist Postcolonial Way in Toni Morrison's novels. The author is of the view that Toni Morrison being an African American writer focused her focus on the above mentioned approach.

Before we improve it's important to go through the main idea and the key points which are the backbone of the postcolonial feminist methodology and before that we have to go over in detail the features of colonialism, post-colonialism and feminism.

If we try to learn the origins of Postcolonialism we will come to the point that postcolonialism is specially a postmodern intellectual discourse consisting reactions to and evaluation of cultural legacy of colonialism and imperialism. In anthropology it can be defined as "the relations between countries and areas being colonized and ruled". It comprises a couple of theories that are found amongst record, anthropology, viewpoint, linguistics, film, politics science, architecture, individuals geography, sociology, Marxist theory, feminism, religious and theological studies, and literature.

To destabilizing American ways of thinking in order to set-up space for the subaltern, or marginalized groupings, to express and produce substitutes to overriding discourse is the critical aspect of postcolonial theory. Often "postcolonialism" as a term is taken to mean only a span of time after colonialism. This thing creates a problem because the "once colonized world" is filled with "contradictions, of half-finished processes, of confusions, of hybridity, and liminal ties". To be able words, it is suggested that the term postcolonialism has plural characteristics as it does not simply refer to the period following the colonial hearing.

The goal of the theorist is to find out the residual ramifications of colonialism on ethnicities and hence the key targets of such theorists are to take into account and combating these effects on the civilizations. It does not simply mean to learn the historic areas of these areas but it also comprises how these areas can move beyond this period together, towards a place of reciprocal value.

The main target of the theorist is make clearing space for the multiple voices of these areas and these were the voices which were recently silenced by the dominating ideologies-subalterns and among these discourses as is regarded this space should be cleared within the academia. In his publication Orientalism, Edward Said described very plainly that scholars who studied what used to be called the Orient (mainly Asia) totally forgotten the assessments of those they actually studied while preferring instead to rely on the intellectual superiority of themselves and their peers which was the procedure forged by the European imperialism.

It is identified by lots of the post-colonial thinkers that we now have many assumptions that happen to be underlying the "logic" of colonialism and they are the forces which can be active today. This is also argued by many of the thinkers that studying both knowledge collections of the dominant groups and those who are marginalized as binary opposites sustains their occurrence as homogenous objects. Homi K. Bhabha thus emphasized his agenda that only hybridity may offer the most profound task to colonialism. He thinks that the postcolonial world should valorize areas of mingling; spaces where fact and legitimacy move besides for ambiguity. (Bhabha, 1994). What is left by Bhabha is made available from Spivak's as the agenda of usefulness of essentialism.

Chapter Three:

African North american Studies and Postcolonialism

A HAVE TO Talk Back

"Colonial racism is no different from some other racism. " says Frantz Fanon of course, if we compare BLACK Studies and postcolonial studies we will come to know that though they belong to different fields nonetheless they share a great deal concerning a goal of destabilizing racial hierarchies and debates regarding the relationship between your colonizer and the colonized is exactly exactly like that of between masters and slaves in a bondage. Even within america and other area that are known as postcolonies we find the current truth of discrimination and racism towards minorities or populations of minority joins both of these studies mutually through neocolonialism.

Precarious of current American educational policy, a prominent dark feminist Bell Hooks claims, "I believe that black experience has been and is still one of interior colonialism" (148). The need to decolonize the attitude of present-day America fuels existing attempts in regaining and convalescing minority record and books. Hazel Carby in her Reconstructing Womanhood: The Introduction of Afro-American Female Novelist details New sociological and literary approaches to record become beneficial options for reclaiming days gone by and imitating culturally hypersensitive paradigms for the futureCritics like Henry Louis Gates, Barbara Christian, Ella Shohat and Homi K. Bhabha are associated by way of a need to "chat backside".

Another key question in postcolonial feminism is who speaks for whom and whose voices are listened to in discussions of UNDER-DEVELOPED women's issues. The lack of voice given to UNDER-DEVELOPED women remains a challenge as will the failure of Western women to problematise the role of the West in the issues reviewed. The question of tone was raised by Gayatri Spivak in her influential essay 'Can the Subaltern Speak?' (1988) where she analyses 'the relationships between the discourses of the West and the likelihood of talking about (or for) the subaltern woman' (Spivak : 271).

Race and Multiculturalism in Academia: Writing Back

Toni Morrison, Marlene vehicle Niekerk, and Anthony Appiah are believed to be the Pencil World voices in the PEN WORLD VOICES FESTIVAL 2010. The issues such as representation, nationalism and essentialism are fleshed out from BLACK Studies and Postcolonial studies and therefore literature and literary theory under the core of the disciplines become resources of for such interpersonal commentary. Nation-making and redefinition of region, along-with the obscuring between general population and secluded places are among common subjects, critics in both domains are fast to indicate the risks of hurriedly discharging this literary work as political.

Gates writes of an need to dissipate the misconception of meant primacy of "Western tradition" above the "so-called non-canonical traditions such as that of the Afro-American". Especially cognizant of the dangers of essentialism in his publication The Signifying Monkey, Gates studies the need "to make a new narrative space for representing the continuing referent of Afro-American books, the so-called Dark colored Emperience"( Gates, 111).

Similarly, critical of essentialism, Homi Bhabha, a projecting Cultural Studies and Postcolonial critic, links the two domains along as he remarks: "The treatment of postcolonial or dark-colored critique is aimed at changing the conditions of enunciation at the amount of the signnot simply establishing new symbols of id, new 'positive images' that petrol an unreflective 'identity politics'"(Bhabha, 247)

Bhabha and Toni Morrison

Bhabha even conducts a details reading of Toni Morrison's Beloved in the launch of The Location of Culture. Scholarship will indeed overlay in revitalizing ways between both of these fields. Much just as Toni Morrison's Using at night examines and matters the ways that white selfhood in literary America is further founded by actualizing "black" occurrence.

Edward Said's Orientalism seek "to show that Western culture gained in durability and personality by establishing itself off up against the Orient as sort of surrogate and even underground self"(Said, 3)

Gender

The juncture of contest, ethnicity and gender politics has molded challenging debates in the works of Bell Hooks, Barbara Christian, and Shirley Anne Williams as well as in the task of Gayatri Spivak and Chandra T. Mohanty. Patriarchy often becomes a symbol, a trope of ability inequity and the offender for the ills of colonialism and neocolonialism. Bell Hooks areas in Outlaw Culture, "For modern-day critics to condemn the imperialism of the white colonizer without critiquing partriarchy is a tactic that seeks to minimize this ways gender can determine the specific forms oppressions may take within a specific group"(Hooks, 203)

There is also a threat of totalizing along with this intersection. Barbara Christian in "Race for Theory" that attentions against essentialist constructions of black womanhood, equates the potential issues of an excessively rigid black feminism to the colossal, monotheistic Dark colored Arts Movement of the 1960s and 70s. Chardra Mohantly needs resistant to the same essentializing exercise in the growing discourse on UNDER-DEVELOPED feminism. Negotiations of class are similarly called for in both areas of research. Remarkably, Hooks remarks upon what she sees as an disregarded problem in cross-cultural feminist discourse in Yearning: Competition, Gender, and Cultural Politics. She areas, "We often forget that many Third World nationals bring to this country the same kind of contempt and disrespect for blackness that is most frequently associated with white imperialism". (Hooks, 93)

Chapter Four: Postcolonial Feminism and Black color feminism

Postcolonial Feminism is also known as as UNDER-DEVELOPED Feminism which is a form of feminist idea and is concerned about the idea that colonialism, racism and long lasting ramifications of colonialism in the postcolonial configurations, are destined up with the initial gendered realities of non-white and non-Western women. Postcolonialism criticizes American feminists as they have a history of universalizing women's issues, and their discourses tend to be misunderstood to stand for women world-widely.

Black Feminism argues that sexism, course oppression, and racism are inextricably bound together. Just how these relate with each other is called intersectionality. Types of feminism that make an effort to overcome sexism and category oppression but ignore competition can discriminate against many people, including women, through racial bias. The Combahee River Collective argued in 1974 that the liberation of dark-colored women entails flexibility for everyone, since it could require the finish of racism, sexism, and school oppression. (Wikipedia)

Postcolonialism gives the idea that the word 'female' can be used as a universal group and they are only detailed by their gender and not by public classes and cultural identities. Additionally it is presumed that the mainstream European feminists ignored the voices of non-white, non-western women for many years, thus creating resentment feminists in growing nations.

Postcolonialism involves the descriptions of several experiences endured during colonialism which include migration, resistance, slavery, difference, gender, contest, place, representation, suppression, and reactions to the influential discourses of imperial Europe. Postcolonial feminists observe the parallels between just lately decolonized countries and the condition of women within patriarchy-both take the "perspective of any socially marginalized subgroup in their romantic relationship to the prominent culture.

Postcolonial feminist experienced strong ties with black feminists because colonialism usually is made up of designs of racism. Both communities have struggled for acknowledgement, not only by me in their own culture, but also by European. (Wikipedia).

Thus it could be said that Postcolonialism talks about the issues of the women of these areas that have been once the colonies of the West and it lumps up jointly all the ladies of the world. Feminism raises this agenda that all the ladies of the world have their own special identity plus they should be regarded as independent personality apart from their intimacy and sexuality but postcolonial feminist also note that the fate of non-white and non-western women differs from the women of the western world as theses non-white and non-western women are not enjoying the privileges as the ladies of mainstream are enjoying.

Postcolonial feminist way gives protection under the law of elevating their voices which were once silenced by the colonizers.

It can be inferred that as women were doubly colonized in the time of colonization by their own man members of the population, and these non-white and non-western women were thrice colonized as they were considered less than the white women. (Web)

Chapter Five:

Postcolonial Feminist Procedure in Toni Morrison's Novels

Larry Schwartz in his article compares Toni Morrison's skill of writing with William Faulkner's artwork of writing although in her interview Toni Morrison claimed that she actually is nothing like Faulkner but the deep analysis of her books prove this simple fact.

Toni Morrison being an African American writer is considered to be one of the renowned postcolonial feminist freelance writers who touched the very idea of boosting tone of repressed band of the dark-colored women. Her novels Beloved is known as by many to be her most impressive work of literature at this point (being successful the Pulitzer Reward in 1988), she's also written many award-winning books like the Bluest Attention, Sula, Tune of Solomon, Jazz, Tar Baby, and Paradise. Like Beloved, almost all of Morrison's work handles the challenges of African Us citizens, especially women (web).

The Bluest Attention (1970)

Toni Morrison in her book "The Bluest Attention" highlights the idea of racism. Inside the colonial period the legacies of colonialism were consistently destined with racism. With this book Morrison very plainly depicts the effects of the legacy of 19th century classical racism for poor dark people in america.

In the novel the little girl of a poor dark family, Pecola Breddlove, internalizes white requirements of beauty to the magnitude that she become in love with it and bore a want blue eyes. The idea is very clear that binary oppositions structured by the Western White class concerning the beauty and ugliness are still at work. Right now we people think to be white is the standard of beauty. In the binary oppositions like man/woman, white/back again, Occidental/Oriental, High/poor and so on those all the elements on the departed of the pub are considered to be the supreme while the elements on the right are marginalized or rendered as Others. Pecola sometimes appears so inspired by these binaries that she tries to escape out of this so called or organized ugliness of her own world or competition of color. Her ardent want blue eyes involves stand for her desire to avoid the racist, unloving, poor environment where she lives. For a long time mainstream white European feminism paid negligible attention to the condition of contest.

Racism was considered supplementary to patriarchy and have been one of the biggest problems of the non-white women. Many white women were of the claim that they did not see dissimilarity or even to act after it. It required an extended, hard scuffle by black women to get racism included on the feminist agenda. One of the most moving and influential critiques of white satisfaction emerged in 1980 from the radical dark-colored lesbian feminist Audre Lorde: "By and large within the women's motion today, white women concentrate after their oppression as women and ignore difference of race, sexual preference, class and age. There's a pretense to a homogeneity of experience covered by the term sisterhood that will not in fact exist"(Lorde, 116)

Morrison in the novel tries to clarify why Pacola wanted to have blue sight, let us see the following lines that are taken from Section 3 of the "Fall months" section

It had occurred to Pecola time ago that if her eye, those eye that presented the pictures, and realized the sights-if those eyes of hers were different, in other words, beautiful, she herself would be different

Here the narrator says about Pecola not only wished to have blue eye to look beautiful but in fact it was her convinced that with blue eye everything will also change. These blue eye discuss her wish to have liberty not from ugliness of blackness however the ugliness of the dark thoughts and her desires to bring in a big change in her black society.

Toni Morrison is of the view that beauty and ugliness are the matters of seeing and to be seen and both are linked with eyes. It is a famous declaring : Once you look with caring eyes all the planet looks lovely. Exactly the same idea is talked about in "The Bluest Eyes" where Pecola would like to look everything beautiful and also to be looked superbly. Her own community that was colonized are not colonizing Pecola anticipated to her blackness though her inside portion was not dark-colored as she totally internalized whiteness. The idea is also observed in the Heart and soul of Darkness where the symbols of dark and white colours depict Conrad's point of inward blackness and whiteness. Morrison uses the same technique by displaying Pecola's internalizing whiteness.

Here additionally it is clear that stable propensity of white women to disrespect racism was an impact of white privilege- a spot women of coloring were forced to make consistently

"As Third World women we plainly have some other romantic relationship to racism than white women, but all of us are blessed into a host where racism is out there. Racism affects all of our lives, but it is only white women who can 'find the money for' to stay oblivious to these results. Ordinary people experienced it breathing or bleeding down our necks. (Moraga and Anzaldєa 1981: 62)

There is another key factor of postcolonial feminism in the book as Pecola is raped by her own daddy who did all this in the result of that humiliation that he suffered when he was having sex first time and was humiliated by two white men. Thus patriarchy is seen in this violence which is done to Pecola as she actually is colonized by her own daddy. Pecola's rape is the depiction of damage of cultural id of the Black community.

Similarly, the seeds of marigold which didn't bloom is also a depiction of colonization as their own garden soil did not enable those seeds to bloom as was commented by Claudia, Frieda and therefore Pecola which is also a proof of ineligibility of their own dark-colored community. Pecola is a anticipation of decolonization as she wished to be been told, to be seen beautiful and her illegitimate progeny is symbolic of her wish which was prohibited to be delivered.

Toni Morrison here wants to depict that African american population was week at that as they did not allow Pecola to flourish and this thing compares the book with Chinua Achebe's Things BREAK APART where Okonko had not been supported by his own clan. All what's finished with Pecola holds true picture of Dark colored feminism.

Sula (1974)

In the present novel the feminine characters will be the embodiments of the matriarchal authoritative of women. The book depicts the sociable issues that were and can be found in the contemporary society. Morrison will try to depict these female personas attenuate the male character types. Eva, Helene, Hannah and Sula all represent such numbers which are the driving makes which precede the plot of the book.

Morrison wants showing that the users of the modern culture will be the important substances who add flavor to the culture. All the feminine characters are made central in the novel hence this novel proves to be a pure exemplory case of books of postcolonial feminist novel.

According to the post colonial theory the feminine part must speak back again to the so called norms that happen to be carved out by the men. The novel offers an exact exemplory case of "subaltern can speak" as the main character Sula is the sign of such someone who being a feminine has capacity to decided her own way of living as she gone away and comes home and proves herself such a person which is needed by the world.

The novel shows that all the feminine character types of the novel are so important area of the Black community and their living is necessary for bonding the population jointly. Sula also retains the interdependence and closeness of the society with its members.

Sula will open your eye to cultural problems which can be found in the present day. The women in the reserve such as Eva, Helene, Sula and Hannah signify the matriarchal authoritative women, weakening the male heroes. Women drive the action in the storyline and present their importance in the family. They present their importance in the African american community and their existence in bonding it jointly.

Morrison also shows in the novel the dying of blackness when Sula says

"'You think I don't really know what your life is similar to because I ain't living it? I know very well what every colored girl in this country is doing. '

'What's that?'

'Dying. , Exactly like me. However the difference is they dying just like a stump. Me, I'm going down like one of those redwoods. I sure do reside in this world. '"(143)

These words spoken by Sula on her deathbed which she portrayed to Nes her thoughts regarding her thoughts about the life span styles that was accepted and the positions of women in Medallion. The series speaks "dying" old system.

Sula also establishes the closeness and interdependence of the community with its people. The novels demonstrates each and every member is just just like a spice that provides special flavor and odour to the city and which is essential for the society. In Sula all the individuals including Shadrack and the Deweys give every individual importance in the community.

Thus Sula demonstrates to be packed with such evidences which shows that we now have elements of third world feminism in the novel as Sual's actions are the alternates of her voices that have been silenced before.

Chris Weedon in her article "Key Issues in Postcolonial Feminism: A Western Perspective" writes that: " in 1984 Dark colored American feminist Barbara Smith spoke of being part of a Third World feminist motion: 'And not only am I discussing my sisters within the United States-American Indian, Latina, Asian North american, Arab American-I am also discussing women all around the globe---third World Feminism has enriched not only the women it apples to, but also politics practice in basic'(Smith:27). Thus the 3rd World Feminism is giving all the ladies especially the Black colored ones ability and self-confidence to speak and now they are not silenced as were before. (Weedon).

The Much loved (1987) The depiction of Morrison's theory of DARK-COLORED mothering articulate in her novels, essays and interviews

Mothering is considered to be one of the tips of ideas of postcolonial feminism which is point out in the present novel "The Much loved". The novels is set following the American Civil Warfare (1861-1865), it is inspired by the storyplot associated with an African-American slave, Margaret Garner, who temporarily escaped slavery during 1856 in Kentucky by fleeing to Ohio, a free express. A posse appeared to retrieve her and her children under the Fugitive Slave Act of 1850, which offered slave owners the to pursue slaves across state borders. Margaret killed her two-year-old little princess alternatively than allow her to be recaptured. (Wikipedia).

In the novel Sethe in an attempt to save her children from slavery slaughters her eldest daughter and it is assumed in the book that her daughter go back as a ghost called Favorite because the same phrase was inscribed on the top stone of her grave. The novel depict the mom daughter romantic relationship which is the one of the central key points of postcolonial feminism.

"The maternal bonds between Sethe and her children inhibit her own individuation and prevent the introduction of her self. Sethe develops a dangerous maternal love that results in the murder of 1 girl, her own "best self applied, " and the estrangement of the surviving child from the black community, both so that they can salvage her "fantasy of the future, " her children, from a life in slavery. However, Sethe fails to recognize her little girl Denver's need for connection with this community in order to enter into womanhood. Denver finally succeeds at the end of the book in establishing her own do it yourself and embarking on her individuation with the aid of Beloved. Unlike Denver, Sethe only becomes individuated after Beloved's exorcism, of which point Sethe can totally acknowledge the first romance that is totally "on her behalf, " her relationship with Paul D. This relationship relieves Sethe from the ensuing damage of herself that resulted from the maternal bonds handling her life. "( Demetrakopoulos, pp. 51-59)

Motherhood, in Morrison's view, is fundamentally and profoundly an take action of resistance, essential and integral to dark women's fight racism and sexism and their capacity to accomplish well-being for themselves and their culture. The power of motherhood and the empowerment of mothering are what make possible the better world we look for ourselves and then for our children. This, argues O'Reilly, is Morrison's maternal theory-a politics of the heart and soul. (O'Reilly)

In spite of the mothering, the novel also depicts the theme of slavery and its own havoc which sometimes appears as destruction of identity. It also shows the value of language and community solidarity.

Toni Morrison also depicts the blackness concealed under the white skins of the White people which is obvious from the following line extracted from Chapter 19, at the beginning of Part II,

White people presumed that regardless of the manners, under every dark pores and skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready because of their sweet white blood. In ways. . . they were right. . . . Nonetheless it wasn't the jungle blacks helped bring with them to this place. . . . It was the jungle whitefolks planted in them. And it grew. It distributed. . . until it invaded the whites who had managed to get. . . . Made them bloody, ridiculous, worse than even they wished to be, so worried were they of the jungle they had made. The screaming baboon lived under their own white epidermis; the red gums were their own.

Stamp Paid here consider the ways in which slavery in fact corrupts the individuality and he "it was the jungle whitefolk planted in them. And it grew and spread". The idea is very clear as is obvious in Center of Darkness where Joseph Conrad attempted to say the same thing that the white were dark-colored from within and the same idea we find in Vendor of Venice by Shakespeare where Portia's picture is at Lead, a dark materials, and in Othelo, Iago was white from without and was dark from within. Here Morrison explains to a similar thing that only white fellows were in fact dark from within. It really is an apt "writing again" to the White colonizers which is a salient feature of postcolonial feminist writing.

Conclusion:

It is noticeable from the above heading conversation that Toni Morrison's works are based on the postcolonial feminism where she very skillfully highlighted the thought of gender, race, love-making and personality and in the same way she also illustrates the principles of 'conversing back' and making an area among white feminism. As the mainstream white feminism at first could not give proper position to non-white and non-Western women, dark-colored feminism became in a position to raise their voice and were able to even write back again and hence been successful in making their own personal information.

Toni Morrison hence secures a very apt position one of the postcolonial feminist who helped these thrice colonized dark women to stand up to make their own individuality.

The previously listed three books also show the death of the protagonist. The fatality in also a theme of Toni Morrison's books which is also meaningful as the slavery is the damage of id which is depicted by fatality of the individuals.

The above discussed books cover show many key points of postcolonial feminism.

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