War in 'Refugee Blues' and 'Disabled'

Title: Explore How Writers Treat the Subject of Wastefulness Of Battle in the Two Texts YOU MIGHT HAVE Studied.

It is ostensible that both text messages, 'Refuge Blues' and 'Disabled', have been influenced by the writers' own private experiences as they both effectively replicate the real brutality behind wars. 'Refugee Blues' by W. H. Auden is a poem about the tough realities of war; including topics such as: loss, troubled, and change. 'Disabled' by Wilfred Owen is similar in this manner looked after echoes the same subject matter Auden is trying to mention; the wastefulness of warfare. The title of the poem 'Refugee Blues' tells us a whole lot of what it is approximately as the poem's sense of musicality is conspicuous in the subject. This is of the term 'refugee' is someone who has been obligated to leave their country to be able to escape war, persecution, or natural catastrophe. The use of the term 'refugee' implies that the poem is approximately a person or an organization of people attempting to evade their country, Nazi Germany, but cannot, due to the fact that they don't own passports; going out of them homeless. The term 'blues' is a reference to the sub-genre of jazz; a refrain is positioned at the end of each stanza in the poem, customary for a blues songs, in order to echo a melancholy tone. 'Disabled' exploits the impact of warfare on those who live through it by analysing today's life of your injured soldier to his past accomplishments.

Auden and Owen explore the theme of damage to be able to portray the wastefulness of battle by using: repetition, imagery and emphasis. In 'Refugee Blues', Auden uses repetition at the end of the first stanza, when it says, ' We cannot go there now, my dear, we cannot go there', repetition makes it more poignant as it emphasises the condition that they cannot escape their own country as they lack passports which is later unveiled in the next stanza when it claims, 'Old passports can't do that, my dear, old passports can't do that', going out of them homeless. 'Disabled' contains brilliant imagery which exaggerates the theme of loss such as, 'he won't feel again how slender women' waists are. . . most of them touch him like some queer disease', and, 'he seen the way the women's eyes handed down from him to the strong men which were whole', making the ex-soldier socially isolated. A good example of emphasis and exaggeration is 'Refugee Blues' when, in the eleventh stanza, it expresses, 'Dreamed I observed a building with a thousand floors. . . not one of them was ours, my dear, not just one of these was ours', a hyperbole is employed to focus on their situation, homelessness, creating sympathy for the reader. Owen alternates between using prone terms such as, 'his again won't brace', when he refers to the present to be able to show that he's now fragile and defenceless. The juxtaposition of remembrance and the masculine terms when he identifies the past such as, 'he'd look a god in kilts', abruptly makes the reader realise that he's lost and can't ever be the man he was previously. Many of these examples coincide mutually in the manner that they all scrutinize the topic: wastefulness of battle.

The theme of fighting is evident throughout the two poems in the way that the 'disabled' ex-soldier is struggling to reside in the present and come to grips along with his fate. That is palpable in the first stanza when the, 'Voices of boys ran saddening such as a hymn, voices of play and pleasures after day'. He's dressed officially in a 'ghastly suit of grey' which is minimize at the waist, showing that he has lost his feet; he listens to the voices of small children which disheartens him, reminding him of something he can't ever have again. In 'Refugee Blues' hurting is indisputable as the complete poem is approximately presumably a male Jew and his partner being homeless; fighting, desperately trying to find a location to emigrate, but however cannot as 'Old passports can't do that', this relates, recently, to the refugees being lost. The past stanza of 'Refugee Blues' conveys that, 'Ten thousand soldiers marched back and forth: looking for you and me, my dear, looking for you and me', once again repetition has been found in order to emphasize that there is a whole army looking for just two people. Furthermore, the repetition could also reference towards the nature of the blues tempo; repetition. The final stanza of 'Disabled' claims, 'he will spend a few unwell years in institutes', implying that he will spend a few 'sick and tired', crippled, years joining institutes before he passes away, perhaps. Furthermore, within the last stanza, it says, 'how frigid and late it is! Let's they come and put him to bed? Let's they come?' This is a prime exemplory case of dual entendre as it references on the nurses not approaching 'and put[ting] him into bed', and it identifies death not just around the corner enough for taking his life as he cannot cope with the excruciating suffering anymore. All the proof provided, proves that suffering is a common theme among 'Refugee Blues' and 'Disabled'.

In addition, the concept of change has been thoroughly examined in 'Disabled' and 'Refugee Blues'. The rhyming design in 'Disabled' is an 'A, B, A, C, B, C', for example in the first stanza the words 'dark', 'playground', 'grey', 'day', 'hymn' and 'him' all rhyme, however, the rhyming pattern within the last stanza becomes more irregular. This is done to demonstrate the way the ex-soldier's life used to be perfect and regular but has changed and become irregular. This is in contrast to 'Refugee Blues', which consists of a normal 'A, A, B' rhyming design. In 'Refugee Blues' the status of Jews were decreased as animals were being treated more humane than the Jewish people when it declares, 'Observed a door opened up and a cat let in', and characteristics is being proved to be free, unlike the Jews in, 'Saw the fish going swimming as if they were free. . . walked via a wood, found the birds in the trees; they had no politicians and sang at their simplicity', this exaggerates how all this freedom is tantalisingly close and they are stuck by laws and oppressed by Hitler's instructions; this clarifies the change in their country. At the start of the poem 'Disabled' the person is portrayed to experienced a dynamic and successful interaction with women. He was a nice-looking son, exuberant and appreciated the girls' attention. Later on, he was left sexually incompetent and can no longer receive pleasures from things that he once was comforted with. In the final stanza, the last lines places focus on the actual fact that the man he was previously, winning football matches, being proud of a blood smear, is now replaced with a crippled, hopeless shell who pleads desperately and helplessly for you to definitely come, 'and put him into foundation'; death. The evidence provided proves that Auden and Owen have exploited the theme of change.

The idea in the poem 'Refugee Blues' shows how futile intellect is, especially when confronted with the mass extermination of Jews through the second world conflict: this idea has evidently been put across. Likewise, the idea of 'Disabled' is to show the true colorings behind war and the ineffectiveness of it: Owen has unmistakably advocated this idea. Like each other, 'Refugee Blues' and 'Disabled' are both dark and chilling poems. They distress the reader to be able to present the true meaning behind warfare. It really is interesting, then, to summarize that Auden and Owen have eloquently portrayed the harsh realities of battle through themes or templates such as: reduction, suffering and change. Various terminology techniques have also been used such as: rhyming to build a direct effect; juxtapositions to be able to contrast and analyse; and vibrant imagery to create an impact for the reader.

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