Louis XIV and Absolutism Principles

Keywords: louis xiv absolutism

The palace of Versailles is known as to be one of the biggest expressions of Western Absolutism. Louis XIV, also known as the "Sun King, " reigned for 72 years; he is acknowledged for building this monumental palace. Starting in 1661, he altered a little, quaint hunting lodge into a glittering palace. He drained swamps, built over the village and completely altered the landscape to develop one of the very most renowned palaces on earth.

Thesis

Louis XIV's palace of Versailles is a physical and ethnical manifestation of the concepts of absolutism. Louis XIV's palace embodied the fact of absolutism through its Classicist symbols of power, its sheer size and luxuriousness and through the casing of the nobles on palace grounds.

Reason #1:

Louis XIV's palace of Versailles is the epitome of the key points of absolutism. As an Absolutist King, Louis XIV was profoundly affected by Classicism. The effect of Classicism can be seen throughout the palace. These various sources to Classicism were meant to strengthen Louis XIV's rule as a solid and centralized power figure.

Reason #2:

When Louis XIV relocated his judge and administration to Versailles, he gained more control of the government and the nobility. By keeping potential hazards near him, he rendered them powerless.

Reason #3:

The palace of Versailles' sheer size and splendour exhibited Louis XIV's supreme wealth and boasted his ability as a complete monarch. The size and grandeur of the palace sent a message to the folks of France also to other market leaders that he had complete authority and that nobody should dare defy him.

Reason #1:

As an Absolutist Ruler, Louis XIV was greatly impacted by Classicism. There have been various recommendations to Classicism throughout the palace, these recommendations were designed to cement Louis XIV's rule as a solid and centralized figure of authority.

The exterior of the palace is known as to truly have a traditional design with Roman columns.

The Main Gateway- when people approved through it, that they had to move under a copy of Louis XIV's crown. This dished up as a constant reminder of his power to all who moved into and kept Versailles.

Louis XIV experienced a Classicist influenced statue of himself made up of the next inscription

"World come and see what I see,

And what sunlight admires,

Rome in one palace, in Paris an Empire,

And all the Caesars in one King"

This engraving over a statue shows Louis XIV belief that he's as strong as Roman Emperors. He also refers to himself as the "Sun, " which can be an allusion to the Greek Sunlight God Apollo.

The Latona Fountain- The fountain instructs the storyplot of Apollo's mom. That is another sign of Classicism which is what Absolutism was inspired by.

His metallic throne was 8 legs high; this strengthened the idea that the King was larger than life.

Hercules Drawing Room- The room was specifically built to house a Venetian painting. Hercules, who was a Roman demigod, was known for his power as well as for "making the planet safe for mankind. "

Since Versailles was an embodiment of Louis' guideline, having a room called after Hercules shows that Louis presumed he himself can stand in comparison to Hercules.

The Mars Room- The room was actually used to house the guards. Mars was the Roman God of conflict. Having an area called after Mars depicts Louis XIV's ability to go to conflict and emerge triumphant

Louis XIV also had an extremely large bronze statue of himself on horseback. He assumed that the King and the state were one; this statue all with other art was made to embody that.

The Hall of Mirrors- The hall became a symbolic concentrate of the palace. The wall space of the hall housed busts of Roman Emperors. This furthered strengthened Louis XIV's connection to Classicism.

Reason #2:

When Louis XIV made a decision to make the palace the new centre for the royal courtroom, he migrated his courtroom and the nobles to Versailles. By doing so, he could look out on all nobles and therefore avoiding them from revolting and maintaining his ability.

Louis XIV required that nobles of certain standings to invest time at Versailles.

This prevented the nobles from growing their own provincial vitality at the cost of his electricity.

He avoided them from halting his work to centralize the French federal government and retain definite authority.

There were parts of the palace which were specifically made for enclosure nobles.

All the energy of France was focused at Versailles; there were government office buildings there, the palace acted as the homes of thousands of courtiers.

To get the Louis XIV's attention, the nobles visited the royal home regularly and seen the rigid rules of do the King set out.

In return for their constant availability, the nobles were compensated with royal pensions, living quarters in the palace of Versailles and regular invitations to festivities and ceremonies.

Louis XIV could pull the nobles favour and watch at all of them at once.

By holding the nobles at a larger importance than earlier Kings acquired, Louis XIV provided them a feeling of service.

This sense of service was useful to the kingdom and contributed to control on the nobility, thereby building up Louis XIV's total authority.

Reason #3:

The palace of Versailles' size and finery exhibited Louis XIV's supreme prosperity and boasted his electricity as an absolute monarch. The palace itself sent a note to the people of France and also to other market leaders that Louis XIV was completely control.

The Area of Versailles has over 2037 acres with over 232 acres of gardens.

The palace grounds include over 12 mls of streets, 50 fountains, 67 staircases, 200 000 trees, 6000 paintings, 2100 sculptures, and 6000 furniture pieces.

The palace experienced a total of 700 rooms.

The palace utilized practically 600 people, while casing a large number of courtiers and friends of Louis XIV.

The Challenge Gallery- The gallery was 120 metres long. It was focused on the difference fights fought by the People from france.

These larger than life top features of the palace emphasized Louis XIV's electric power and intimidated any tourists.

The Calmness Room- It had been created to depict France as the arbitrator of tranquility.

The Queen got her own staircase. She even acquired a whole room in which nobles waited to talk with her.

The Royal Chapel- A number of religious ceremonies occurred at the chapel. The Ruler and Queen sat at the very top of the chapel. This suggested that they (especially the King) were closer to God making them more important than the rest of the people.

Conclusion

The palace of Versailles is considered to be one of the biggest expressions of European Absolutism. Louis XIV's palace underwent a change from being a small hunting lodge to the extravagant palace famous brands which got never been seen before. The Palace embodied the fact of absolutism through its Classicist icons of electric power, its size and luxuriousness and through the housing of the nobles on palace grounds. The palace of Versailles will forever remain a manifestation of the concepts of the Absolutism that dominated the 17th century.

CHY4U0- The Western world and the World

"How is Louis XIV's palace of Versailles a physical and cultural manifestation of the principles of absolutism?"

As an Absolute monarch, Louis XIV was significantly inspired by Classicism. There were various referrals to Classicism throughout the palace of Versailles. These common references were meant to bolster Louis XIV's guideline as a solid and centralized leader. The exterior faade of the palace is known as to be motivated by Classicism. The palace includes beautifully crafted Corinthian columns filled with elaborate capitals decorated with acanthus leaves. THE PRIMARY Gateway that led to the palace acquired a imitation of Louis XIV's crown. The crown offered as a regular reminder of his electric power and presence to all those who moved into Versailles. There are also lots of rooms such as the Apollo Room, which likened his powers to that of the Greek and Roman Gods. Louis XIV also had lots of statues of himself in the palace and around palace grounds. These statues and also other forms of artwork were created to embody the Absolutist notion that the Ruler and their state were one. The influence of Classicism is seen throughout the Palace of Versailles; this stresses the fact that the palace is a manifestation of Absolutism.

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